28/12/2021 Messy NFT drop angers infosec pioneers with unauthorized portraits

Illustration by Alex Castro / The Verge

An unauthorized NFT drop celebrating infosec pioneers has collapsed into a mess of conflicting takedowns and piracy.

Released on Christmas Dayby a group called “ItsBlockchain,” the “Cipher Punks” NFT package included portraits of 46 distinct figures, with ten copies of each token. Taken at their opening price, the full value of the drop was roughly $4,000. But almost immediately, the infosec community began to raise objections — including some from the portrait subjects themselves.

The portrait images misspelled several names — including EFF speech activist Jillian York and OpenPGP creator Jon Callas — and based at least one drawing on a copyright-protected photograph. More controversially, the list included some figures who have been ostracized for harmful personal behavior, includingJacob AppelbaumandRichard Stallman.

Responding on Twitter, York tweeted a link to her own portrait and said simply, “I don’t approve of this whatsoever and would like it removed.”

Removing the NFTs has been more complicated than it might seem. The ItsBlockchain team apologized on Twitter for not obtaining likeness rights in advance and said it has removed 28 NFTs from the group and burned two others. But there’s no clear procedure for removing tokens that have already been sold, and ItsBlockchain is mostly counting on the central OpenSea platform to remove the tokens and resolve the issue. ItsBlockchain has appealed to the platform for guidance, but so far it has received little guidance. (OpenSea did not respond to a request for comment.)

“We have been trying to resolve this issue ... we want to take it down,” the group said in an email toThe Verge. “OpenSea involvement would make the job easy at this stage.”

The incident is a reminder of the potentially thorny legal issues around NFTs, wherenorms of permissionless innovationoften clash with likeness rights and intellectual property law. Typically, US laws around publicity rights hold that a person’s name and identity can’t be used for promotion without their consent — although it’s unclear how such a lawsuit would work in practice when applied to NFTs.

Arts

https://www.theverge.com/2021/12/27/22855644/cipher-punk-nft-drop-jillian-york-opensea-tokens

Interesting NFTs
The Rare Pearl Moon with Motion
Motion Version Part of my moon series. This super rare pearl moon has just washed ashore on a remote tropical island beach, fining one of these rare Jems is like a total worldly treasure! These moons, only fall to earth once in a few million years! When I found this one I felt the luck that is said to come with this pearl moon.
POPZ PUNKS #71
POPZ PUNKS 71/110
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.
Parrot on a perch with two other ornamental birds
Katsushika Hokusai (1760-1849) Parrot on a perch with two other ornamental birds 1797-1806 - Japan
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).