17/06/2021 NFT Protocol Project will be launched on DoDo Transaction Platform

Singapore, Singapore--(Newsfile Corp. - June 17, 2021) - Since 2021, NFT concept has been really popular. NFT (Non-Fungible Token), compared with fungible tokens like BTC, ETH and EOS, has its own ID. Because of the uniqueness, many NFT works have been sold at extremely high prices in this year. The first tweet of Jack Dorsey, Twitter CEO, was sold for US$ 2.5million; UeharaAi and Yui Hatano, Japanese actresses, issued NFT blind boxes of their personal photos. NFT is becoming the link between the real economy and the digital industry.

After investigation and research, we found that many ordinary users still ask how to participate in the collection and trade of NFT assets, how to possess own NFT works and how to appreciate NFT works. To solve these questions, Paragon will improve the liquidity and lower the barriers of participation to promote the ecological development of NFT.

To solve the long-standing problems, we created Paragon, the star project in DeFi racetrack. Paragon aims to split the ownership of NFT assets through the fragmentation technology developed by the technical team, lowering the barriers of participation and improving the liquidity of NFT assets.



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Paragon will soon land on DoDo transaction platform. PAR-the ecological governance token of Paragon deal, will be issued for 1 billion pieces, directly embodying Paragon's ecological values. AS an autonomous project in the distributed community, Paragon adopts crowdfunding and the price will increase with more participants. Paragon also supports cooling-off period which allows the participants to withdraw independently if the cost of crowdfunding exceeds their expectations so as to promote the consensus on project development.

As for the transaction of Paragon, after complete registration on DoDo platform, users can employ BUSD to the participation of Paragon. At the same time, Paragon will release more information on its official website. It is worth noting that after Paragon's early crowdfunding, the liquidity pool of PAR token will be established and liquidity mining will be started at the first time. Please stay tuned.

Media Contact
Company Name: Paragon
Contact: Bill james
Email: [email protected]
Website: www.paragon.cool
Arts

https://finance.yahoo.com/news/nft-protocol-project-launched-dodo-105800980.html

Interesting NFTs
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).
The New York Times x NFT
A digital original of Kevin Roose's New York Times column, "Buy This Column on the Blockchain!" Published 3/24/21.
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By OthersideDeployer
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By OthersideDeployer
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.