20/05/2022 The Artist Behind ‘Fearless Girl’ Is Selling NFTs to Fund Her Legal Case Against the Company That Put the Statue on Wall Street

Artist Kristen Visbal has been locked in a legal battle over the rights to the work.

Kristen Visbal with her piece Fearless Girl at Federation Square in Melbourne, Victoria. Photo by Mark Stewart/Newspix.Kristen Visbal with her pieceFearless Girlat Federation Square in Melbourne, Victoria. Photo by Mark Stewart/Newspix.

Since 2019, Kristen Visbal, the artist behind theFearless Girlstatue that famouslyfaced off against Wall Street’s iconicCharging Bull,has beenwaging a legal battleagainst the company that funded the installation.

The advertising agency McCann commissioned the sculpture as part of a marketing campaign for the asset management firm State Street Global Advisors, which covered the production costs. After the sculpture was installed, on International Women’s Day in 2017, it immediately went viral. Visbal made25 additional editions of the work, each priced at $250,000. State Street sued, arguing that the artist was making unauthorized copies in violation of its trademark.

Now, Visbal is making an NFT as a way to raise funds for her legal costs, which stand at $3.3 million, and to promote the statue’s feminist message.

“This lawsuit has essentially ruined my life,”she told Artnet News.

“In the beginning, I said ‘forget it. I’m not a digital artist—I can’t do that,'” Visbal said. “But I amFearless Girlin every sense of the name, not only in my lawsuit, but also trying to forge these NFTs in a community that I am only starting to become part of—and I really enjoy it!”

Kristen Visbal, <em>Fearless Girl</eM> NFT from the "Stargazer Collection." Courtesy of the artist.

Kristen Visbal,Fearless GirlNFT from the “Stargazer Collection.” Courtesy of the artist.

TheFearless GirlNFT drop, titled “Superstar,” which is a collaboration with digital art house9ifx, is being released in stages.

A micro movie (less than two minutes) calledSuperstardepictsFearless Girlas a speeding comet, a blur of light moving through the solar system and landing triumphantly on the cobblestones of Bowling Green in an explosive burst of stardust.

The digital art costs 3.05 ETH ($7,500) in an edition of five. Visbal is also selling clips fromSuperstaronOpenSea. The first of five segments dropped last week.

Kristen Visbal, <em>Fearless Girl</eM> NFT from the "Stargazer Collection." Courtesy of the artist.

Kristen Visbal,Fearless GirlNFT from the “Stargazer Collection.” Courtesy of the artist.

There is also a shorter animation, dubbed the “Interstellar Collection,” for 3.65 ETH ($9,000) with a 22-inchFearless Girlbronze miniature, sold in an edition of 125.

The final part of the drop includes the “Stargazer Collection” of seven trading cards featuring different views ofFearless Girl,set against a swirling backdrop of starry nebulae. Each card will be sold in an edition of $750 for0.20 ETH ($500). Visbal is working with 9ifx to generate unique colorsfor each one’s background.

But the big-ticket item, set to go live May 24, is the“Superstar Combination,” which includes both the full-size bronze statue and the animated film, priced at 104.56 ETH ($257,500) in an edition of one.

Kristen Visbal, <em>Fearless Girl</eM> NFT from the "Superstar Collection." Courtesy of the artist.

Kristen Visbal,Fearless GirlNFT from the “Superstar Collection.” Courtesy of the artist.

The NFTs represent Visbal’s first new work since the statue’s initial unveiling.

“I was traveling everywhere, I was speaking everywhere, and I wasn’t charging anything,” Visbal said.“My time has really been monopolized by the lawsuit, so I haven’t been creative.”

She hopes the NFT collection will provide an opportunity to reframe the message ofFearless Girl.“The ideals behindFearless Girlhave been quashed by a corporate brand message,” she said. “But I made her for the public, and I am damned and determined to see that she is used to benefit the people.”

State Street intended to use the sculpture to promote itsGender Diversity Index SHE,anexchange-traded fund that invests in women-led companies.At the time of the work’s creation, women held only 18 percent of leadership positions at State Street. Its parent company, State Street Corporation, latersettled a $5 million lawsuitwith underpaid women and Black employees.

Kristen Visbal with her piece <em>Fearless Girl</eM>. Photo by Federica Valabrega.

Kristen Visbal with her pieceFearless Girl. Photo by Federica Valabrega.

“We have an opportunity withFearless Girlto educate the public about women’s equality, women’s empowerment, women’s education, equal pay for women, and supporting women in leadership positions,” she said. “But not even one of those is mentioned in the sign, which is about State Street’s intent to call attention to diversity on boards.”

The future of the original statue is currently in limbo. In April, the city’sPublic Design Commission determined that the work’stemporary permit, which has beenextended againandagain, would finally expire in 11 months, and that a permanent arrangement would need to be found in order to keep it on public display.

“New York has to decide if they want an artwork that is going to be used as a corporate brand,” Visbal said. “If they don’t want that to be the case, I will replace the State Street casting with my own artist’s proof. I offered that in January, but no one in the mayor’s office bothered to acknowledge a very gracious gift.”

'Fearless Girl' at the New York Stock Exchange. Photo by Drew Angerer/Getty Images.

Kristen Visbal’sFearless Girlat the New York Stock Exchange. Photo by Drew Angerer/Getty Images.

At the heart of the conflict is a contract between Visbal and State Street over the rights to reproduce and market the work.

“I didn’t know State Street, but I was told that they had paid a quarter-million dollars for permitting, and I was extremely grateful,” she said. “They said, ‘Can weuse theFearless Girlimage for our SHE Fund?’ I said ‘of course,’ and I extended an image right, in perpetuity, forfree.”

“It was a really really big mistake,” she added. “I shared something with them, but it wasn’t enough for them, because they want it all.”

“The statue was not gifted to SSGA free of charge,” a State Street representative told Artnet News in an email.“SSGA paid hundreds of thousands of dollars for the production of the Fearless Girl statue and its surrounding unveiling and campaign, which included costs for permitting for the installation and fabrication of the sculpture and, more specifically, payment to Ms. Visbal and other vendors (e.g. another sculptor, a fabrication shop, the foundry) who were engaged to work on the project.”

The statue known as "Fearless Girl" in New York City's financial district. Photo by Jewel Samad/AFP/Getty Images.

The statue known asFearless Girlin New York City’s financial district. Photo by Jewel Samad/AFP/Getty Images.

As the legal dispute continues, theFearless GirlNFT drop has been slow to take off. Visbal admitted there had yet to be any sales at the time of our interview. TheSuperstarmovie clip on OpenSea only has 16 views.

“This has been enormously challenging,” she said.“It is not enough thatFearless Girlis an iconic work, and it’s not enough that we have had 16 articles in the past two days. You need someone who has been building relationships within the crypto community, preferably for at least year.”

The launch also comes amid the latestcrypto crash, which has seen prices plummet for currencies like Bitcoin and Ethereum, along with prices for popular NFT collectibles such as the Cryptopunks.

Kristen Visbal, <em>Fearless Girl</eM> NFT from the "Stargazer Collection." Courtesy of the artist.

Kristen Visbal,Fearless GirlNFT from the “Stargazer Collection.” Courtesy of the artist.

“I thinkFearless Girlmay not be the taste of the 18-to-34 old male who is buying NFT art—so I hope to entice women in finance to come into the space,” Visbal said. “My NFTs are expensive, but bronze sculptures are very expensive. We put so much work into this—it’s worth it.”

Arts

https://news.artnet.com/market/fearless-girl-nft-kristen-visbal-2114056

Interesting NFTs
Originalplan® - Series 1 - Raw Cut Diamond Be@rbrick
The Be@rbrick series is a project around creating unique Be@rbrick designs. Originally it started as a daily project so each design was created on a daily basis. The concept and idea is based on the subcultural phenomenon of collectibles and designer toys. Raw Cut Be@rbrick is made of several hundreds of diamonds and is only availabe as a 1/1 limited edition collectible. Format : 3D Render. File: JPG * size: 5120 × 2880px After purchase a hand signed Glichē print will be sent to the address of your choosing. Limited to: 1/1 digital pieces.
Dreaming at Dusk
More than 15 years ago, Tor onion services were brought to digital life. An ecosystem of onions has been blooming ever since. To commemorate this landmark in the history of privacy, we collaborated with @ixshells to create a one-of-a-kind digital artifact: a generative art piece derived using the private key of the very first onion service, duskgytldkxiuqc6.onion. This auction benefits the Tor Project, the nonprofit protecting your human right to privacy. 1020*1280 / 60fps / .mp4 / RSA1024
Cypher::Prophet
Cypher::Prophet is an artwork dedicated to the punk origins of blockchain designed and realized by hackatao and hex6c. In the transposition into images we started from the iconographic canons of the hacker (hoodie, laptop, cryptographic elements) and associated them with the figure of the prophet, thus highlighting the predictive nature of the works of Eric Hughes (Cypherpunk Manifesto, 1988) and Timothy C. May (Crypto Anarchist Manifesto, 1993) as well as of the blockchain inventors Stuart Haber and Scott Stornetta (How to Time-Stamp a Digital Document, The Journal of Cryptography, 1991). Read the full story on https://medium.com/@hex6c/cypher-prophet-the-punk-origins-of-blockchain-1e8fce311e72
Lemonade
Hey cutie! I'm Lemonade. I've never told anyone this, but I once groomed a dog. I'm often described as wondrous, and I own it. This will be an amewsing friendship.
Poem by Funya no Asayasu, court pages in boat trying to keep it steady in the wind as they harvest lotus leaves, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Funya no Asayasu, court pages in boat trying to keep it steady in the wind as they harvest lotus leaves, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan