17/01/2025 NFT Bubble Bursts: Experts Warn Issuers Must Get Creative or Face Oblivion

The non-fungible token (NFT) market faced its worst performance in four years in 2024, with trading volumes and sales dropping by 19% and 18%, respectively.

NFT Bubble Bursts: Experts Warn Issuers Must Get Creative or Face Oblivion

2024 NFT Trading Volumes Fell to a Quarter of 2022 Levels

The non-fungible token (NFT) market experienced its worst performance in four years in 2024, with trading volumes and sales down 19% and 18%, respectively. Dappradardatashows that while the 2024 NFT trading volume of $13.7 billion dwarfs the $74 million recorded in 2020, it’s four times less than the $57.2 billion registered in 2022.

Interest in NFTs has gradually declined since peaking in 2022. Many collections that sold for record prices have plummeted to all-time lows. A recent Bitcoin.com Newsreportstated that many NFTs minted in 2024 had no matching demand. Furthermore, an NFT Evening study suggests that the drop in value of newly minted collections points to oversaturation.

This study found that a large majority (98%) of 2024 NFTs had not seen any trading activity since September 2024, evidencing oversaturation. These findings are seemingly corroborated by Dappradar’s report, which points to a short-lived surge.

“Early in the year, trading volumes surged to approximately $5.3 billion in Q1, marking a 4% increase compared to Q1 2023,” the Dappradar report explains. “However, this momentum was short-lived, as volumes dropped to $1.5 billion in Q3 before rebounding to $2.6 billion in Q4.”

Among the top five NFT collections, only Pudgy Penguins (141%) saw their yearly volume grow. The remaining top five collections namely Bored Ape Yacht Club, Mutant Ape Yacht Club, Azuki and Crypto Punks all saw their respective volumes decline by 51%, 57%, 46% and 42% respectively.

NFT Platforms Urged to Integrate Interactive Incentives

Meanwhile, a panel of experts interviewed by Bitcoin.com News believes NFT issuers will need to get more creative to reverse months of declining trading volumes. Alex Casassovici, founder of Azarus, argues that NFT platforms can reignite user interest by integrating interactive incentives and fostering a sense of community ownership.

Casassovici points to Blur, which dethroned Opensea as the number one NFT platform, using gamified engagement to drive user adoption and retention. He emphasizes the need for both gamification and incentives to transform platforms into “ecosystems where users feel valued and invested in the community’s success.”

Paul Thomas, CEO and founder of Somnia, said he favors incorporating more social elements into NFT platforms. He argues that this is especially important “as NFTs become more about utility and less about speculation.” Sander Görtjes, co-founder and CEO of Hello Labs, suggests “defragmentation” of goods, or tokenized assets, as a strategy for NFT platforms to “re-engage audiences lost in the past few years.”

Hong Yea, co-founder and CEO of GRVT, urges NFT platforms to consider cross-industry collaborations to engage broader audiences and bridge cultural gaps. However, Yea, who also offers three additional recommendations, acknowledges that the success of these strategies will depend on key factors.

“Ultimately, sustained adoption hinges on creating tangible value for users, forging connections between NFTs and culture, and embracing innovations that address the evolving needs of the community,” Yea said.

Arts

https://news.bitcoin.com/nft-bubble-bursts-experts-warn-issuers-must-get-creative-or-face-oblivion/

Interesting NFTs
taNNa
conceptual art. drawing and digitally processed.
缥缈之美的过去与现在(Vanitas Then and Now)
虚空派的画像。在这个虚拟时代,外在之美到底是否还受到时间的限制?(Vanitas portrait of a woman. Is beauty finite or not in the Virtual age?)
BAPE #674
BACKGROUND Lightpink TYPE Solana ape NECK Hoodie MOUTH Basic EYES Gold shades HEAD Basic EAR ACCESSORY Basic
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Faceplant
Facebook logo factory. 3D animation, 10-second loop, 30 fps. Created using Cinema4D, X-Particles, TurbulenceFD, Octane, and After Effects. Originally posted on TikTok (@jigpx) on 1/4/21. 38.7m+ views, 2.1m+ likes (as of 4/22/21).