15/07/2022 First Cannabis-Themed NFT Gallery to Debut in Arizona

A cannabis marketing agency and 3D motion designer and multimedia artist have come together to create the state of Arizona’s first cannabis NFT gallery event.

NFT

The cannabis-themed NFT gallery in Phoenix, Arizona is set to open to the public at a special event held on July 22, featuring NFT artwork byElise Weiland. The event is in partnership withPlant. Body. Soul., a creative marketing agency that focuses on cannabis, which is hosting the debut of the NFT gallery, calledOwls After Dark.

The opening night event is called Friday Highday After Dark, which according to a press release, will be the “first phase of the [Plant.Body.Soul.] agency’s NFT roadmap.”

Plant.Body.Soul. Managing Partner and Co-founder, Jennifer Miles, explained her hopes for the future with this new NFT project. “The minting of theOwls After DarkNFT gallery marks the first step in our community access utility project that seeks to unite members through innovation, art, music, and real-life experiences,” said Miles.

The gallery’s other Co-founder, Gordon Ogden, also commented on the exciting prospects for these unique NFT offerings. “We are committed to the continual expansion of our NFT community,” said Ogden. “In the months following the launch we plan to hold exclusive events curated for registered NFT holders, create a Discord server for members, and incorporate additional features and virtual reality experiences.”

Weiland’s digital artwork often centers around the psychedelic, abstract digital sculptures, and exploring unique fantasy environments. Some ofWeiland’s influencesinclude “internet culture, design culture, tattoo culture and counterculture,” which are usually depicted with many colorful elements that they describe as fun, dreamy, and perhaps a little bit dark”. Last year Weiland crafted a 3D procedural techno forest for the Fall 2021 issue ofBroccoli Magazine’s mycophiles magazine, calledMushroom People.

Those who purchase NFTs featured in theOwls After Darkgallery will also receive real-world benefits as well. These rewards include access to swag drops, a high-quality art print of their NFT, and regular access to Plant. Body. Soul.’s ongoing Friday Highday Happy Hour and Friday Highday After Dark events. The NFTs will be available onOpenSea, one of the largest NFT marketplaces, after the event begins.

Courtesy of Owls After Dark

Friday Highday After Darkembraces multiple facets of local cannabis culture. Food will be made byHigh Vibe Kitchen Collective, and an “intimate, yet highly curated” wellness lounge fromCannakulawill be present. Local cannabis brands such asAeriz,Curaleaf,Select,Good Things Coming, andSunday Goodswill be in attendance to promote their products, and members fromArizona NORMLwill also be there to educate attendees about consumer rights and their ongoing effort to help expunge cannabis convictions. Music will also be performed by Phoenix Crews, Record Bar Radio, and Melrose House.

Recently NFTs and cannabis have become a popular partnership, with some cannabis brandsfeaturing NFT artworkon their packaging. But it’s also being used as a collaborative effort to promote advocacy in the industry as well.

In January,Burn1, the Black Comics Collective, and The Weldon Projectworked together to create an NFT project that would benefit those who have been negatively affected by the War on Drugs. Original art was presented by John Jennings, and even an unreleased Snoop Dogg song was offered.

The Weldon Project’s Founder, Weldon Angelos, praised the merging of cannabis and art for the community. “I began The Weldon Project and launched theMISSION [GREEN]initiativeto raise the bar for awareness, social justice, and social equity around cannabis and provide relief to those who have been negatively impacted by unjust drug laws,”said Angelos. “This NFT project with the Black Comics Collective and Burn1 is exciting because it allows me to further our mission while creating an exciting new blend of art, music, and activism.”

Arts

https://hightimes.com/news/first-cannabis-themed-nft-gallery-to-debut-in-arizona/

Interesting NFTs
Fisherman seated on a rock
Katsushika Hokusai (1760-1849) Fisherman seated on a rock mid-1820s(?) - Japan
Who's in control?
In a society where everyone wants to control everyone, who's in control? "Who's in control?" is a mirror of a controlling society, a futuristic vision of a current reality. Artwork with three different states in all Layers (day, night and sunset) allows owners to make different combinations and show who is in control of this artwork! *** Scanning this artwork with the ARize app [https://arize.io/] will trigger an AR video experience*** ***Music used in the videoart by Midranger (feat. Holly Drummond) - "Unrequited" ***
D R A G O N
Watercolor original art -what means the water spread can't be repeated, it's impossible to make the same texture. 100x70cm scanned and edited.
T(r)opical
Inspired by and for the 2018 North American Bitcoin conference in Miami, Florida. The palm tree that has a cracked open Bitcoin coconut suggests that by traveling you can enjoy this tropical digital fruit. The peacock nesting in the tree has spread its wings to flaunt other integrated crypto logos as well. The famous Miami skyline at the bottom incorporates the coins, as well as the code that is transforming the banking buildings that made it. The origin of that skyline is in the 80's cocaine craze, so it is all incorporated into the story of foundational transformation, linked to a global movement. The file size is suitable for an 8K TV. Mr. Moe Levin, the founder of the conference is a collector a physical print of the work. Explainer video: https://www.youtube.com/watch?v=2J0ZfPCJdxY&feature=emb_title Upload resolution 8000x4000 PX at 300DPI
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.