01/07/2021 Sir Tim Berners-Lee’s web source code NFT sells for $5.4 million

The latest mega-auction of an NFT tied to a piece of internet history is complete, with Sir Tim Berners-Lee selling a digital item representing source code to the original web browser for $5,434,500. Berners-Lee is credited as the creator of the world wide web that this site is published on, and the NFT includes a time-stamped signed archive including 10,000 lines of the source code that initially made it possible to display an HTML document, among other things.

For comparison, the highest price for an NFT remains the $69 million or so MetaKovan paid to own Everydays: the First 5000 Days by the artist Beeple, while Jack Dorsey’s digital collectible representing the first tweet on Twitter sold for a little less than $3 million.

After the auction was announced, there was some backlash to the plan, whether due to general unease over NFTs, environmental concerns, or otherwise. Berners-Lee and his wife say they will use the proceeds to benefit causes they support. In an interview with The Guardian, Berners-Lee said “This is totally aligned with the values of the web ... I’m selling a picture that I made, with a Python programme that I wrote myself, of what the source code would look like if it was stuck on the wall and signed by me.”

According to a condition report listed along with the NFT by Sothebys, the data security of this particular item is “very high.” For owners of NFTs worried about potentially losing their multimillion dollar purchase due to servers going down or link rot, the platform they’ve used says it includes both Arweave and the InterPlanetary File System (IPFS) for storage. 

The only remaining issue may be the collectible itself, as some have noted that while the archived code is intact, the video included in the purchase renders angle brackets incorrectly. It won’t stop you from compiling an early-’90s web browser of your own (non-millionaires can experience that glory here for free), but it is an unwelcome smudge on such a high-priced item.

Arts

https://www.theverge.com/2021/6/30/22557765/www-nft-tim-berners-lee-sothebys-source-code

Interesting NFTs
CryptoPunk #2140
The CryptoPunks are 10,000 uniquely generated characters. No two are exactly alike, and each one of them can be officially owned by a single person on the Ethereum blockchain. Originally, they could be claimed for free by anybody with an Ethereum wallet, but all 10,000 were quickly claimed. Now they must be purchased from someone via the marketplace that's also embedded in the blockchain.
CryptoKitties
Ugh! I'm Kitty #355691. I've never told anyone this, but I once bit a dog. It's not common knowledge, but my ancestry connects me to Marie Antoinette. Will you be the peanut butter to my wasabi?
Classical Collage
voronoi fun with some well known art
Cypher::Prophet
Cypher::Prophet is an artwork dedicated to the punk origins of blockchain designed and realized by hackatao and hex6c. In the transposition into images we started from the iconographic canons of the hacker (hoodie, laptop, cryptographic elements) and associated them with the figure of the prophet, thus highlighting the predictive nature of the works of Eric Hughes (Cypherpunk Manifesto, 1988) and Timothy C. May (Crypto Anarchist Manifesto, 1993) as well as of the blockchain inventors Stuart Haber and Scott Stornetta (How to Time-Stamp a Digital Document, The Journal of Cryptography, 1991). Read the full story on https://medium.com/@hex6c/cypher-prophet-the-punk-origins-of-blockchain-1e8fce311e72
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.