24/08/2022 Nearly Half of Americans Have Heard of NFTs

Nearly Half of Americans Have Heard of NFTs

Non-fungible tokens exploded in popularity last year, with plenty of famous celebrities using their following in order to promote the new crypto craze.

Their promotional efforts didn’t go in vain. According to anew surveypublished by Washington, D.C.-based think tank Pew Research Center, 49% of Americans have heard of NFTs despite that this crypto sector was very niche just a few years ago.

However, American investors do not want to actually buy NFTs. Only 2% of them actually decided to buy digital art, which shows that NFTs are yet to become truly mainstream.

Nearly half of Americans are dissatisfied with their investment

The Pew Research poll shows that 46% of those Americans who have dabbled into crypto are dissatisfied with their investment.

Only 16% of investors say that their cryptocurrencies have performed better than expected.

Nearly a third of Americancryptoinvestors say that their returns are “about the same as expected.”

A whopping 88% of Americans are familiar with cryptocurrencies. At the same time, only 16% have so far invested in them.

The vast majority of investors cite the prospects of making money as the main reason why they decided to dip their toes in digital assets.

Unsurprisingly, men ages 18 to 29 are the most crypto-friendly demographic, with 42% of them trying their luck in crypto.

Only 7% of those who are older than 50 have invested in cryptocurrencies, according to the survey.

Notably, the level of adoption is higher among Asian, Hispanic, and Black Americans compared to White Americans.

Arts

https://u.today/nearly-half-of-americans-have-heard-of-nfts

Interesting NFTs
Banksta
Pump, dump and bump Banksta to death. Demon or dead normal? Print fiat at will. What more do you want?
The dirty cape
Personal project
#85150
By OthersideDeployer
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
⚡ Luke Skywhiskers⚡ Gen 7
Heyo! I'm ⚡ Luke Skywhiskers⚡ Gen 7. I'm a professional Dispensary Clerk and I love lasagna. I am 98% hobbit, 96% Culinary Sanitation Specialist, and otherwise bad at math. Maybe you and I can be partners in crime.