Identity #246/444

Title: Nobody Likes Me - Glitch Original (animated) Artist: iHeart Edition: One of one, unique. Medium: mp4 This unique variation, "Nobody Likes Me - Glitch Original (animated)” is part of an exclusive NFT release on KnowOrigin. in collaboration with Art Rapture. This variation is part of the Genesis NFT Drop of iHeart's iconic work, "Nobody Likes Me." DETAILS: The iconic, "Nobody Likes Me" street art piece by urban legend, iHeart has garnered the hearts, eyes and minds of art fans since 2014. In collaboration with Art Rapture and KnownOrigin., iHeart is dropping his first ever NFT release of several variations of his tour de force image, "Nobody Likes Me." In 2014, this captivating stencil mural, created in Stanley Park, Vancouver, earned iHeart a massive following and ultimately took down the second place price for most popular street art piece in the world (Street Art News article below). To truly understand the scope and reach of this iconic art piece, that symbolizes the impact of social media on our lives every single day, all you need to do is Google, "Nobody Like Me iHeart street art" and see the results. This release of "Nobody Likes Me" NFTs has a variety of 2D still & 2D animated versions ready for collectors to consume all around the world! Happy collecting! iHeart instagram: www.instagram.com/ihatestencils Street Art News article: https://streetartnews.net/2014/12/the-25-most-popular-street-art-pieces.html Huffington Post article: https://www.huffingtonpost.ca/sunny-lenarduzzi/vancouver-street-artist-banksy-iheart_b_4953880.html #loveyourcollection #evolveyourcollection

Golden conditions at one of my favorite locations in the Rockies. The light, the colors, the textures; what more can you ask for? I just loved the way this river flowed into the sunset and the mountains in the background. It's rare you find a scene as perfect as this one. But when you do, you have to take advantage of it.

In a society where everyone wants to control everyone, who's in control? "Who's in control?" is a mirror of a controlling society, a futuristic vision of a current reality. Artwork with three different states in all Layers (day, night and sunset) allows owners to make different combinations and show who is in control of this artwork! *** Scanning this artwork with the ARize app [https://arize.io/] will trigger an AR video experience*** ***Music used in the videoart by Midranger (feat. Holly Drummond) - "Unrequited" ***

The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?

OWNER: Sir Tim Berners-Lee Sir Tim Berners-Lee, b. 1955 Source Code for the WWW 1990-1991 Work includes: Original archive of dated and time-stamped files containing the source code, written between 3 October 1990 and 24 August 1991. These files contain code with approximately 9,555 lines, the contents of which include implementations of the three languages and protocols invented by Sir Tim; HTML (Hypertext Markup Language); HTTP (Hyper Transfer Protocol); and URIs (Uniform Resource Identifiers), as well as the original HTML documents that instructed early web users on how to use the application Animated visualization of the code being written (Video, black & white, silent), lasting 30 minutes 25 seconds A Scalable Vector Graphics (SVG) representation of the full code (A0 841mm wide by 1189 mm high), created by Sir Tim from the original files using Python, with a graphic representation of his physical signature at lower right A letter written in the README.md file (in “markdown” format) by Sir Tim in June of 2021, reflecting upon the code and his process of creating it Non-fungible Token ERC-721 Minted on June 15, 2021, ed. 1/1 Smart Contract Address: 0x86ade256037d80d6d42df8df96d5be21cd25bd8f

Continuing the exploration of well known algorithms, this work delves into pixel sorting. The works of several cubists were first averaged with custom averaging software and then sorted with a bespoke pixel sorting algorithm. All tools were written in javascript, for masochistic reasons.