Surreal Punks 36
Surreal Punks 36
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50 Surreal Punks 1OF1 limited Edition
17 Aug 2021 - TBA
Start: 17 Aug 2021
End actual: 27 Aug 2021
Initial Price :
Lots to sell:
Big Time Studios to Push ‘Play-to-Earn’ Through Binance NFT Marketplace
NFT sci-fi card game Parallel raises at $500M valuation from Paradigm
Christie’s to sell teenager’s NFT art about gender transition
Axie Infinity Economy Booms as NFT Sales Rise
Other Interesting NFTs
No Future #15/15
Really Remote Working Part 3
The third piece is the Really Remote Working series, white sands and turquoise waters make this is a desk space like no other. Created during the lockdown period whilst being confined to the same place every day, this piece is part of a series of imaginary places that I dreamed of being able to work from.
Not Forgotten, But Gone
Not Forgotten, But Gone by WhIsBe
Pump, dump and bump Banksta to death. Demon or dead normal? Print fiat at will. What more do you want?
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
Best-case Scenario #10/25
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