17/06/2021 NFT Marvel Marketplace Launches On Binance

A blockchain developed by the world's top crypto exchange Binance will host the non-fungible marketplace dedicated to the Marvel superhero universe owned by Walt Disney Co. (NYSE:DIS).

What Happened: According to a Tuesday announcement, the NFT Marvel Marketplace will offer traders, collectors, and fans of the Marvel universe a way to own a piece of it through tokenized artwork.

The marketplace will be built on the Binance smart chain and — consequently — powered by the Binance Coin (CRYPTO: BNB).

Why It Matters: The NFT Marvel Marketplace will also feature the Marvel Fan Token (CRYPTO: MV), which will be earned on each interaction with the ecosytem and holding, which will allow the holder to periodically receive free NFTs.
Arts

https://www.benzinga.com/markets/cryptocurrency/21/06/21582883/nft-marvel-marketplace-launches-on-binance

Interesting NFTs
CryptoBots
Beware of the CryptoBots.
The Slabs
The Slabs - Prixel Art Animation "She looks tired and gone in thoughts. Her arm must have cost a fortune. Definitely Sisma Corp but I can't make out the exact model." - Simon Corley, 2084, New Harbor - Music by the amazing Brian Woods. Unlockables: - Endless Random Loop App. (PC/MAC) - HD VIDEO (approx. 2 mins) - Animated GIF - Wallpaper & Print Ready PDF Dimensions: Video [1920x1080] App [Adaptive] I will send a Download Link to the buyer after purchase.
CryptoPunk 4156
By C352B5
Wink
The eye of providence blinks. Originally posted to tumblr June 26, 2012.
Symptom
Symptom --- Vhils Work with Explosives First explored to further emphasize his destructive approach to creation, Vhils' work with explosives should be seen as a natural progression from his original bas-relief carving technique used on walls. According to Vhils, walls retain within their layers something of the history and essence of the city which can be symbolically exposed when he carves through them. By employing explosive charges to reveal these portraits and compositions, Vhils takes this concept to its logical conclusion. This original technique was first employed in 2010 for the Detritos (Detritus) series of art videos as a visual metaphor for the social and economic volatility brought on by the 2008 global financial crisis and especially today in the covid era of 2020. As such, both this and the subsequent series speak of how, at times of turmoil, the veneer of civilization we take for granted can easily explode and bring forth previously tamed expressions of intolerance, extremism, and violence that simmer beneath the surface. As the entire process is not only eruptive but also fast and dramatic, its result can only be truly appreciated on video. Most of these have been shot using a high-speed digital camera which enables the artist to capture the moment at a very low speed that seems to almost freeze the flying debris, creating a slow-motion poetic intensity conducive to reflection.