22/07/2021 With $2.4 Billion in Transactions, NFT Market Defies Expectations in Second Quarter of 2021

CryptoPunks
LarvaLabs, CryptoPunks Detail, 2021 Courtesy of Sotheby's

The price of Bitcoin is down but, contrary to conventional wisdom, the market for NFTs has not faded. The NFT phenomenon dominated the first quarter of 2021, culminating on March 11th with Beeple’s record price of $69 million at Christie’s. A month later, in mid-April, the price of Bitcoin reached its apex around $63,500. Since then Bitcoin’s dollar price has dropped by more than half. Nevertheless, NFT sales have not just remained on par with the pace of the first quarter of 2021, according to a Dapp Industry Report, but exceeded them in the second quarter. 

DappRadar, which tracks blockchain sales, saw that in the second quarter of 2021 NFTs brought in $2.4 billion, slightly above the first quarter’s $2.3 billion. These numbers don’t even account for off-chain sales, transfers that take place through auction houses, as with the Beeple sale. The same report found that sales spiked 111.46% compared to Q1, with the number of active wallets also jumping 151.89% in the same time period. 

Meanwhile, the NFT marketplace OpenSea is now valued at $1.5 billion, after Silicon Valley venture capital firm Andreessen Horowitz led another round of funding for the company, raising $100 million. This past June alone OpenSea saw $160 million worth of sales. 

What’s keeping NFTs afloat? It’s not necessarily art. NFTs are now finding a fast growing utility as “keys” for unique access to experiences and also in gameplay, something experts long predicted would be the ultimate value of non-fungible tokens. Bored Ape Yacht Club uses NFTs as a membership card for their digital “Yacht Club” which mainly consists of access to a Discord server, Telegram chat group, and a digital graffiti wall called “THE BATHROOM.” Bored Ape has had $70 million in sales since its launch in May. 

NFTs for gameplay are also doing quite well. For example, Axie Infinity, a play-to-earn game where players breed and sell Pokemon-like “axies”  collected $30 million in fees just this past week, which is more than Ethereum, Bitcoin and every other top ranked DeFi app collected in the same time period. 

 

This isn’t to say that more traditional collectibles aren’t doing well. CryptoPunks, a collection of 10,000 unique “Punks” represented by pixelated faces, remain strong. Two Punks, 5002(2017) and 5690 (2017), sold this past week for $385,000 and $354,000 respectively. Some of the rarest Punks sold in May in the millions, peaking at around $7.5 million on OpenSea. But off chain, NFT sales are stronger. CryptoPunk 7523 (2017) sold for $11.7 million at Christie’s in June. Does that suggest auction houses and galleries might have better luck selling art NFTs than NFT marketplaces? The art world certainly hopes so.

 

Arts

https://www.artnews.com/art-news/news/nft-market-defies-expectations-second-quarter-2021-1234599372/

Interesting NFTs
Rare OG Panther
Hey cutie! My name's Rare OG Panther. I once peed on Martin Luther King Jr.'s cat. They had it coming. I was voted most likely to work at NASA in college. I hope we can be pawmates.
The Switch
The Switch is a unique, “one of one” NFT that demonstrates the evolution of artwork in the digital realm. The Switch is developed to change form at a specific point of time in the future, known by Pak. The evolution is determined and rendered immutable by smart contracts, or self-executing code on the Ethereum blockchain.
Dreaming at Dusk
More than 15 years ago, Tor onion services were brought to digital life. An ecosystem of onions has been blooming ever since. To commemorate this landmark in the history of privacy, we collaborated with @ixshells to create a one-of-a-kind digital artifact: a generative art piece derived using the private key of the very first onion service, duskgytldkxiuqc6.onion. This auction benefits the Tor Project, the nonprofit protecting your human right to privacy. 1020*1280 / 60fps / .mp4 / RSA1024
#46782
By OthersideDeployer
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.