06/08/2021 Claude Monet NFT Debuts as World’s First Tokenized Impressionist Work

Cryptocurrency consultancy Innovation Without Borders LLC is launching the world’s first Impressionist NFT – piloting a new model for private clients who wish to sell their fine art outside of traditional fine art auction houses. The ImpressionistNFT collection pairs original Impressionist paintings with a corresponding NFT, or non-fungible token.

The first offering is the 1865 masterwork painting “Spring Sunshine,” which is the first tokenized Impressionist painting and first ever Impressionist work for direct auction via smart contract. The winner of the “Spring Sunshine” NFT will receive both the token and the original physical masterwork that it represents.

“We believe there is no better piece of art with which to facilitate this occasion, as Claude Monet and the Impressionists perfectly epitomize the pioneer spirit being carried forward by today’s cypherpunks and cryptocurrency enthusiasts,” Deschapell said. “Spring Sunshine is not just an impressive piece, but one of the few attributed to Monet that is known to be painted on wood, due to lack of funds for canvas in his early career long before the term ‘Impressionism’ had any meaning”.

The auction date for the work will be announced Friday, August 6 via official social media.

The cryptographic protocols facilitating NFT auctions enable the first-ever alternative to establishment auction houses for new and traditional art, saving on fees and greatly increasing accessibility. Catalogue raisonnés, often the source of much controversy, also stand to be transformed by the open and permissionless nature of blockchain time stamping and its transparent record keeping. In offering such a notable masterwork via direct smart contract auction, Claude Monet NFT hopes to echo the spirit of Monet and break from convention, encouraging further interest and research into such areas.

“The task of fully realizing the possibilities of this technology is left up to a new generation of artists,” Deschapell said. “However, this new medium also allows us a chance to revisit and revitalize the works of previous generations of masters, whose contributions laid the cultural foundation we are familiar with today. There are lessons in the history of this art and the struggles of the artists that are more applicable today than ever before”.

Arts

https://aithority.com/technology/cryptocurrency/claude-monet-nft-debuts-as-worlds-first-tokenized-impressionist-work/

Interesting NFTs
#47849
By OthersideDeployer
The Complete MF Collection
THE COMPLETE MF COLLECTION by Beeple
DΞSTINATION HΞXAGONIA BY DON DIABLO
Welcome to DΞSTINATION HΞXAGONIA. This NFT comes with a full length audio visual experience of one hour which we have carefully created over the course of the last twelve months. You will receive a unique hand-crafted box, which includes a harddrive that contains the only copy of the high-quality file of the film, making it a truly unique art piece. Welcome to the FUTURΞ.
Cosmic YMZ (3 of 21)
name Cosmic YMZ img Qma27bi7qCNRSeCNbGLgGk9KA2U1MaHztQxHLK473HbK6d backimg QmdstQz2qUPn8DSuaYSkwkBhfZtNDXptexSTPtf4vLfHST category Cosmic variation Animated year 2018 artist GBK about gbk.photos
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.