17/09/2021 Nifty News: Nafty launches naughty NFT site, Dutch DJ pushes limits of physical NFTs

NFT NSFW

Nafty, a blockchain firm that produces decentralized, “not safe for work” (NSFW) platforms, such as OnlyFans competitor Nafty.tv, launched an erotic-themed nonfungible token (NFT) marketplace dubbed “NaftyArt” on Thursday. 

NaftyArt aims to provide a platform for erotic artists and adult-content creators to promote and sell their tokenized works without fears of it being removed or their accounts shadowbanned. It may also give some NFT proponents an excuse for out-laying large sums of money on NSFW content. The announcement read:

“Erotic Artists and Adult Content creators have been struggling for some time to get their work prominently featured on mainstream NFT marketplaces. A lot have found their work is removed as it contains nudity or at best they are shadowbanned, with potential buyers unable to see their work.”

Nafty is also promoting the platform as a way to generate an additional revenue stream outside of the subscription model and noted the move was brought on by OnlyFans’ recent policy controversy in which it announced plans to ban adult content before it revoked the decision: 

“This way of content monetization was boosted by the recent announcement from fansite OnlyFans regarding their policies on explicit content. Although the decision was subsequently suspended, many adult creators are looking for a more secure way to earn from content.”

DJ Don Diablo is dabbling in NFTs

Dutch DJ Don Diablo is working on an ambitious NFT project called Hexhibit that will include a “real word chamber” or room related to the artwork depicted in the token. 

The NFT contains an audiovisual file that depicts a UFO-like machine landing in an imaginary world. Diablo told Rolling Stone on Monday that he is building the physical chamber of the UFO machine so that the holder can actually stand in the artwork depicted in the NFT. 

“I thought, ‘Why not actually build the thing?’ Of course, that’s pretty ludicrous, because it would weigh a couple of tons…. [but] I said, ‘What if you could stand inside an NFT, literally? That hasn’t been done before,’” he said.

While he didn’t reveal specific details of the chamber, he hinted it could be anything from a “mini club” to a “mini cinema” and claimed that he is spending an equivalent amount of money to purchase a house in building the NFT chamber. 

The NFT is slated to go up for auction on Sotheby’s sometime this fall. To date, Diablo has generated $3.5 million from a total of four NFT sales, including a one-of-one tokenized audio-visual file that sold for $2.2 million in April.

DeviantArt using AI to track token art theft

With copycat NFT projects in the news and outright art theft also appearing to be an issue, DeviantArt has quietly expanded its artificial intelligence software to spot theft on NFT marketplaces. 

DeviantArt launched its AI-based image recognition tool to spot copyright infringement on its own platform in July. However, earlier this month, it expanded the scope to ERC-721 and ERC-1155 tokens. 

The program is called “DeviantArt Protect,” and it appears to be helping some users already, with digital artist Akreon revealing on Twitter that it had notified him of an NFT using his art on OpenSea. 

Ruby League World Cup dropping collectibles

The Rugby League World Cup 2021 (postponed until November 2022) has partnered with NuArca to launch an NFT marketplace for tokenized rugby collectibles. 

The NFT collectibles will depict historic moments, players, nations, stars and milestones from the second-oldest World Cup tournament across all codes. The marketplace will also provide fan engagement features such as quests and “earn experiences” for users to obtain select NFT drops. 

Some NFTs will also be bundled into collectible card packs, however, the price points and launch dates are yet to be revealed. Rugby fans can now register for the drop on the RLWC website. 

“We believe the launch of our NFT partnership is a first for the sport of Rugby League. NFTs will provide fans with an opportunity to show their passion and loyalty for the sport, and alongside collectors, give them the chance to own a piece of Rugby League history,” said Jonathan Neill, commercial director at RLWC 2021. 

Roundup

OpenSea executive Nate Chastain has been outed for hyping NFTs he purchased and then featuring them on the homepage of the popular NFT marketplace. OpenSea confirmed the allegations in a blog post on Wednesday and noted that “this is incredibly disappointing. We want to be clear that this behavior does not represent our values as a team.”

 

Cointelegraph reported on Tuesday that Google had partnered with Dapper Labsto help support the development of new Web 3.0 products and services, including NFTs and gaming.

Arts

https://cointelegraph.com/news/nifty-news-nafty-launches-naughty-nft-site-dutch-dj-pushes-limits-of-physical-nfts/amp

Interesting NFTs
= S E R P E N T I N E = F I R E =
The serpent and the temptation of Eve.
30K
Artist notes: the halving ceremony is the most unusual part of modern bitcoin production in which the owners bet on how efficiently an alpha can inseminate the market.
Fidenza #529
Fidenza is by far my most versatile algorithm to date. Although the program stays focused on structured curves and blocks, the varieties of scale, organization, texture, and color usage it can employ create a wide array of generative possibilities. Additional project feature(s) => Scale:Large, Turbulence:Med, Colors:Luxe-Derived, Have Margin:Yes, Spiral:No, Soft Shapes:Yes, Super Blocks:No, Collision Check:No Overlap, Outlined:No, Shape Angles:Curved, Density:Medium
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Fisherman seated on a rock
Katsushika Hokusai (1760-1849) Fisherman seated on a rock mid-1820s(?) - Japan