01/11/2021 Celebrating Día de los Muertos with traditional altars — and NFTs?

Two Latinos are giving the venerated Mexican tradition a modern, cryptocurrency twist, with digital art that's transcending the way the Day of the Dead is celebrated.

Image: Day of the Dead NFT

The Mexican tradition of Día de los Muertos is usually celebrated with colorful ofrendas, or altars, that families create to honor their deceased loved ones. But two Latinos decided to mark — and market — the celebration in a new way.

With the boom in cryptocurrency and non-fungible tokens, or NFTs — unique digital assets that are similar to collectible trading cards —avid crypto investor David Galan, 40, saw a unique opportunity a few months ago to fill the NFT space with meaningful art inspired by Día de los Muertos.

Image: Day of the Dead NFT

A Day of the Dead NFT art piece inspired by La Catrina, an Aztec urban legend. Armando Parrilla

“We really wanted to do something that was different,” Galan said. “The reason we choose the Day of the Dead is that it means something to all of us.”

When Galan was 21, his father, Fernando Galan, died at age 50.

“What it means to be Mexican American was always very important for my father,” Galan said. “He’s always been there for me, regardless, ever since.”

Galan co-founded the Day of the Dead NFT project, a collection of 7,777 NFTs.The digital assets for the project feature art heavily inspired by La Catrina — the skull image derived from an Aztec legend that is popular in everything from food to clothing — that is prominent during Día de los Muertos celebrations.

He partnered with Armando Parrilla, 42, a graphic designer whose art is influenced by street culture from his upbringing in Southern California.

NFTs provide users with verifiable ownership of items such as videos, images, music and more. They are powered by blockchain technology, a database that records data in blocks and chains them together, making it difficult to be altered.

The ability to inject part of his Mexican heritage into this newer space attracted Parrilla to work with Galan and the rest of the team.

"To see people with our culture in this NFT space ... it's like, it's a chance. Is it breaking a barrier? Is it going to open doors for other artists from within our culture?" Parrilla said.

Parrilla said their Día de los Muertos digital art has been attracting a strong, growing following within their Discord community ahead of the NFTs' reveal on Monday and Tuesday.

A Day of the Dead NFT art piece inspired by La Catrina, an Aztec urban legend.Armando Parrilla

Those who celebrate Día de los Muertos believe that at midnight on Oct. 31, the souls of all deceased children come down from heaven and reunite with their families Nov. 1, and the souls of deceased adults visit Nov. 2.

The Día de los Muertos NFTs are only the first phase in what Galan, Parrilla and the rest of their team plan to create: an augmented reality world where users can visit virtual cemeteries that they can customize to honor their loved ones.

"This entire process has been really, really exciting," Galan said. "It's the influence and the fact that we're able to bring this culture, this beautiful thing that's part of our heritage, to the whole world."

Arts

https://www.nbcnews.com/news/latino/two-latinos-celebrate-di-de-los-muertos-nft-art-rcna4091

Interesting NFTs
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Block Chain Dungeon
Once upon a time... a little boy named Leo loved to paint, draw and experiment. He also loved to play with blocks and chains, which drew him again and again into the rooms of his friends Michel and Angelo. Often they also met in virtual rooms of Cryptovoxels, Decentraland, Somnium Space or Sandbox to create new inventions, read books about new technologies, or just swing the brushes. But on this day something gigantic happened. A good friend of Leo came to visit and brought his girlfriend Mona, who wanted a piece of Leo's art on her skin. This was the birth of the NFT's, as Leo developed Non Fungible Tattoos in the Block Chain Dungeon of Michel and Angelo. From that day on people from all over the world came to get NFT's from Leo or one of his students, like "Skeenee the rat", who controls the NFT machine with his laptop. A new age began.
#88961
By OthersideDeployer
Hairy
hairy by Steve Aoki x Antoni Tudisco. Comes with Infinite Objects screen!
CryptoKitties
Ciao! I'm Kitty #449451. I've never told anyone this, but I once loved a dog. It's not common knowledge, but my ancestry connects me to John F. Kennedy Jr.. I like your face.