22/11/2021 Land Art is Exploding in the NFT World

Amidst rising global wealth, resurging interest in blockchain, and a shift in cultural prominence towards digital experiences, NFTs have become a powerful medium for art.

Next Earth, an NFT-based replica of Earth, has seen tremendous growth over the past year. They recently released an update with major new features including Land Art, which allows users to create art on Earth using colored tiles.

Next Earth has built its community by giving users more ways to own unique lands in the metaverse. This represents an ongoing shift in our culture towards experiences over products, and digital worlds where users can express themselves freely are becoming more prominent than ever before.

Let’s look at 5 cool new Land Art pieces created by Next Earth users.

1) Sonic Landart in Ibiza

Sonic the Hedgehog is an iconic video game character and a global cultural icon. A Sonic piece was created by Next Earth user Onyx. This character holds a nostalgic significance as a generation of gamers grew up with Sonic.

It’s also a piece that offers a fun, whimsical take on the world. It evokes feelings of nostalgia and joy, which is hard to achieve in an art piece without being too sentimental. This Sonic Landart stands out as a personal homage to one of the most influential video games ever released, while also representing a sense of optimism for the future.

Whether or not a piece is a hit with the community is irrelevant. Everyone has their own interpretation of what art is and how it should be used, and that’s one of the exciting things aboutNFTs.

2) Halloween Cat Landart

Next Earth user Nollis created a whimsical piece that combines a popular holiday, Halloween, with a pop culture icon. This may go down in the metaverse history books as creative use of NFTs.

The Halloween Cat Landart is a dark black cat standing in front of an ominous-looking blue sphere. The entire background is shrouded in dark colors and looks like it could be from any corner of the world.

In context, this piece represents many different things to different people, depending on their age and cultural heritage. It’s part of Next Earth’s goal to build up an ecosystem where users can express themselves freely without censorship or barriers, so what someone thinks or feels is just as important as what they create.

3) Real Estate Cryptopunks

Cryptopunks is a famous NFT project, but the pieces are now too pricey for most people to own. Next Earth user JH87 created a real estate version of Cryptopunks called Cryptopunk 3443 + 9280, for just 1.5 BNB.

This piece features two iconic images in one.

4) Godzilla

Godzilla is more than just a mythological beast. He’s a global cultural icon and a pop culture phenomenon that has been referenced and parodied in hundreds of movies, shows, and books.

Next Earth user Nollis created an NFT piece called Godzilla Attack. The artwork is rendered in detail to look like the famous monster from the movies. This is another piece that brings together two of Next Earth’s core values: Art and technology.

It’s special because it represents something so big while also being detailed yet nostalgic — two qualities associated with pixel art today. Looking carefully at Godzilla’s legs and tail, you can even see it make ripples in the water.

5)Doge

Doge is a viral Internet meme that has become a pop culture phenomenon. It has been used countless times as a form of online expression and is now more famous than ever.

Next Earth user with the pseudonym “Trump” created a piece called Dogecoin Dubai Burj Al Arab. It’s rendered as a pixel Doge character, below a flag.

Doge is both an art piece and a message to send people — it can mean anything you want it to mean, which makes it an important part of art history and modern culture.

Takeaways

Land art is fast becoming a global phenomenon and NFTs are responsible for bringing people together across borders and cultures. We’re all citizens of the metaverse now and we’ll see the virtual world expand into every aspect of our daily lives.

The Next Earth team is working tirelessly to build a trulydecentralized metaverseand we believe they will succeed in their vision for a truly free world. Their approach is innovative and forward-thinking, while still firmly rooted in the blockchain community which has already welcomed them with open arms.

Arts

https://www.newsbtc.com/news/company/land-art-is-exploding-in-the-nft-world/

Interesting NFTs
Noodle Rock
soft body spline & hair simulations in cinema 4d
#94552
By OthersideDeployer
Not Forgotten, But Gone
Not Forgotten, But Gone by WhIsBe
Beautiful Worlds
Welcome to the ‘Beautiful worlds’ where nature and technology have merged into a single entity. These are Ai generated and hand finished visions of solarpunk future in which I would really like our future generations to live and prosper: the future we might have if we took the very “alternative route” which now lies before us: replacing states and corporations which free federations of communities and cooperatives, using decentralist and ecological technologies to create a world beyond economic scarcity and social hierarchy, defined by autonomy, mutual aid, diversity, and inclusiveness. The long-term goals of solarpunk are freedom and well-being for all by adopting and developing such ecological technologies as: solar, wind, wave and geothermal energy rather than oil or gas to generate electricity; a world of decentralized eco-cities, permaculture and vertical farming, free and open-source software, open-source hardware, small-scale fabrication laboratories, micro-manufacturing, 3D-printing, and countless examples of commons-based peer-production online: meeting the maximum amount of needs, in the shortest time, using the minimum possible amount of energy. It’s a world of decentralized and confederated eco-communities, using technology for human-centric and eco-centric ends rather than for accumulating power and profit – mending the metabolic rift between first nature (the natural world) and second nature (human culture) – and where social hierarchies of race, gender, sexuality, and disability are considered horror stories from the past “oil age”. Solarpunk desires societies of polycultural ethnic diversity and gender liberation, where each person is able to actualize themselves in societal environment of free experimentation and communal caring; This philosophy proposes that in order for the social and natural worlds to reconcile, humans must first transform their relations to each other – recreating society along egalitarian, cooperative, and democratic lines – and then transform their relations towards nature – adopting an attitude to cooperation, rather than domination, towards the planet and its nonhuman forms of life. Text by Connor Owens. This artwork took me a year to create and for you it will take a year to discover. Master autonomously updates once a day at 12am with one of 366 original artworks. Enjoy!
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.