04/02/2022 People are selling themselves their own NFTs to drive up prices, report finds

Chainalysis identified and tracked NFTs that were sold back and forth at least 25 times by the same handful of cryptocurrency wallets.

Some people repeatedly sell themselves their own NFTs in an attempt to artificially inflate their prices, according to a report published Wednesday.

Called “wash trading,” the practice has long been speculated as key to the NFT market’s steep rise to an estimated$44 billion in saleslast year, though it is difficult to definitively prove. But some examples are hiding in plain sight, according to areport by Chainalysis, a company that monitors blockchain technology, the digital ledgers that act as the backbone for cryptocurrencies and smart-contract assets such as NFTs.

NFTs, short for nonfungible tokens,are digital contracts that allow people to prove they own specific online assets, like official copies of a given artwork, and are usually bought and sold with cryptocurrencies, especially Ethereum. Enthusiasts bill NFTs as a new way to support art and own collectibles, withcelebritiesand some artists trying to profit from the technology.

But that market is also rife with problems, like digital pirates downloading and making a profit off of artists’ workwithout their permission.

In its report, Chainalysis identified and tracked NFTs that were sold back and forth at least 25 times by the same handful of cryptocurrency wallets —what the company’s analysts say are overt examples of wash trading. In the 110 profitable cases, sales from those NFTs made nearly $8.9 million.

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It wasn’t a clearly effective strategy, however. The “most prolifiic NFT wash trader” that the study identified made 830 trades between their accounts but profited only $8,383.

Because smart NFT traders who wanted to hide their activity would likely use different Ethereum wallets for each transaction, the Chainalysis findings are likely only a small fraction of how many NFTs are wash traded, said Kimberly Grauer, director of research at Chainalysis.

“What this data set looks at is, of the individuals who were selling NFTs at scale, how many of them are actually just funding their own wallets?” she said.

“We built a very, very, very conservative estimate of what might be NFT-related wash trading,” she added.

Jarod Koopman, the director of cybercrime investigations for the Internal Revenue Service, which has increasingly cracked down on fraud cases involving cryptocurrency, said while the U.S. has clear rules regulating wash trades for stocks, the law is murkier when it comes to NFTs.

“There aren’t the regulations that are in place that are in the traditional finance sector,” Koopman said. But he said the IRS does look for instances where traders are “purposely manipulating the market to inflate it, to take advantage of other investors on the other side.”

While wash trading may seem like an easy way to drive up an NFT’s value, it’s not a foolproof plan, Grauer said. Every Ethereum transaction takes a small commission, called agas fee, and a person repeatedly selling to themselves will have to keep paying that fee and hope they can eventually sell their NFT for enough to make up those costs.

Chainalysis found 152 clearly washed NFTs that were sold for a collective loss of more than $400,000, she said.

“The underlying sentiment is that all NFT activity is wash trading, but especially when it comes to times to pay gas fees, it’s not something that makes a whole lot of sense to do,” she said.

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Arts

https://www.nbcnews.com/tech/security/nft-sales-show-evidence-wash-trading-researchers-say-rcna14535

Interesting NFTs
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
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By OthersideDeployer
Cypher::Prophet
Cypher::Prophet is an artwork dedicated to the punk origins of blockchain designed and realized by hackatao and hex6c. In the transposition into images we started from the iconographic canons of the hacker (hoodie, laptop, cryptographic elements) and associated them with the figure of the prophet, thus highlighting the predictive nature of the works of Eric Hughes (Cypherpunk Manifesto, 1988) and Timothy C. May (Crypto Anarchist Manifesto, 1993) as well as of the blockchain inventors Stuart Haber and Scott Stornetta (How to Time-Stamp a Digital Document, The Journal of Cryptography, 1991). Read the full story on https://medium.com/@hex6c/cypher-prophet-the-punk-origins-of-blockchain-1e8fce311e72
Spock
Heyo! I'm Spock. I'm often referred to as the Bart Simpson of the group. I like to listen to Coldplay while grooming. Don't judge me. I look forward to slappin' da bass with you.
Ethboy
Young Vitalik takes on the role of Picasso’s son Paulo dressed as Harlequin in this artwork but the octahedron Ethereum logo replaces the chequered pattern of the original jester outfit. Leaning against a large chair, the boy genius fiddles with his fingers in a somewhat nervous manner; nevertheless, he stares directly at the viewer with what appears to be a confident, ‘Mona Lisa-like’ smile. Vitalik has no idea what the future has in store for him, but he’s prepared to face any obstacle ahead as he begins life's adventure.