27/01/2022 Jimmy Fallon hyped his Bored Ape NFTs on 'The Tonight Show' - Los Angeles Times

From actors to athletes to influencers, celebrities can’t seem to stop talking about their enthusiasm for all things crypto. Never one to sit out a trend, on Monday, “The Tonight Show” host Jimmy Fallon was eager to show off his acquisition of a pricey digital collectible — even if it meant flouting an ethics policy that governs most NBCUniversal employees.

“This is my ape,” the late-night comediantold his audienceduring an interview with Paris Hilton, flashing a picture of a sailor cap-wearing cartoon monkey. “It reminded me of me.”

The monkey is one of 10,000 from the Bored Ape Yacht Club collection of nonfungible tokens, or NFTs. Hilton showed her own Bored Ape, and later gave audience members free NFTs from her own collection. “We’re part of the same community,” Fallon told her.

Digital sleuths havededucedthat Fallon probably purchased the primate pic last November for about $216,000 (or rather, purchased a record on a digital blockchain ledger saying he owns it). Hyping it up on his show may well boost its asking price even higher if he ever tries to resell it — which is where things get tricky.

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Aworkplace policyset out by Comcast, the parent company of “The Tonight Show” network NBC, asks employees to “not let outside interests or activities interfere with [their] business judgment or responsibilities to the company.”

Another policywithin NBCUniversal mandates that all employees “disclose and obtain approval for all outside work, financial interests and other personal activities/relationships that may create or appear to create a conflict.” The same policy says that employees should not “use company info, resources, time, etc. for personal benefit.”

If Fallon’s use of show time to flex his ape were to boost its resale value, it would seemingly be a case of using company resources for personal benefit.

An NBC spokesperson said that Fallon did not violate the company’s conflict of interest policy, noting that hosts are able to promote outside projects such as books and movies.

But those are creative endeavors that in turn serve to promote NBC’s programming, whereas an NFT is a financial asset in a class where value is closely tied to virality and influencer adoption.

Charles Davis, dean of the Henry W. Grady College of Journalism and Mass Communication at the University of Georgia, said that he was “unsure whether [an entertainer] sharing the NFTs they purchased equals a plea for others to buy.”

“That would seem a line of sorts, if they were to market them on set,” he wrote in an email. But with Fallon, “it seems to be less shilling and more just sharing a purchase.”

Don Heider, executive director of the Markkula Center for Applied Ethics at Santa Clara University and a former television journalist, said that people with as much “power and influence” as Fallon “need to be thoughtful about what they’re doing and why they’re doing it” when they blur the lines between commercial versus editorial content.

Financial reporters at the Wall Street Journal or Bloomberg, for instance, “follow a fairly strict code of ethics in terms of not owning stocks that they cover,” Heider added. “Is it a good idea, is it ethical, is it in the public interest, to be endorsing something on air — whether you’re a reporter, whether you’re an entertainer, anything else — that you have an investment in?”

Although the Securities and Exchange Commission isnow indicatingthat it may soon regulate the crypto space more aggressively, there’s currently scarce oversight of NFTs and other parts of the so-called Web 3.0 economy — especially as compared with more traditional fiscal assets.

“We have very strict standards for how people can talk about stocks, and insider trading, and those rules have not been applied to this area yet,” Heider said. “It’s kind of the Wild West still.”

The space is also awash in scams, theft and, allegedly, money laundering. Cryptocurrency prices havecrashed recently, and criticshave warnedthat the nominally decentralized ecosystem is, in fact, quite centralized.

Yet none of that has stopped the sector from raking in impressive sales. An NFT by the artist Beeplesold for $69 millionlast March, and the Bored Ape collection hasreportedly generatedmore than $1 billion in net sales.

“I don’t love the idea of luring people in, thinking they’re gonna get wealthy off of trading NFTs,” actor Ben McKenzie said. The former star of “The O.C.” and “Gotham” has recently beencampaigning againstaspects of the celebrity-endorsed crypto economy.

McKenzie noted that plugging stuff is what talk shows are for, but said the addition of financial speculation on top of that concerns him.

“If everything were transparent, then I think that might be one thing,” McKenzie said. “But given how opaque these markets are, and how easily they can be manipulated — through means that would be illegal in regulated markets — I’m not wild about it. And I’m not wild about, quite frankly, Jimmy Fallon using his show to promote it.”

“I don’t think there’s any negative intent by him,” he added. “But in times of a bubble, like the one that we’re in … speculation runs rampant. And people unfortunately, historically speaking, they end up spending money that they think they have. … Eventually, the tide goes out.”

Arts

https://www.latimes.com/business/technology/story/2022-01-26/jimmy-fallon-nft-ape-nbc

Interesting NFTs
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
Art Is The Currency of the Infinite
This still-life, titled after one of Pablo Picasso's infamous quotes, was made solely using 3D softwares and apps, in an attempt to bring this often forgotten artistic genre into the 21st century through the use of new artistic mediums and technologies. This piece is also an invitation to meditate on the role of "value" throught the ages and how it's been radically altered by the coming into existence of technologies and concepts like cryptocurrencies and digital scarcity.
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Bored Ape Yacht Club #1734
The Bored Ape Yacht Club is a collection of 10,000 unique Bored Ape NFTs— unique digital collectibles living on the Ethereum blockchain. Your Bored Ape doubles as your Yacht Club membership card, and grants access to members-only benefits, the first of which is access to THE BATHROOM, a collaborative graffiti board. Future areas and perks can be unlocked by the community through roadmap activation.
Poem by Motoyoshi Shinno, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Motoyoshi Shinno, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan