16/02/2022 NFT marketplace suspends most sales, citing 'rampant' fakes and plagiarism

London—The platform which sold an NFT of Jack Dorsey's first tweet for $2.9 million has halted most transactions because people were selling tokens of content that did not belong to them, its founder said, calling this a "fundamental problem" in the fast-growing digital assets market.

Sales of NFTs, or non-fungible tokens, soared to around$25 billion in 2021, leaving many baffled as to why so much money is being spent on items that do not physically exist and which anyone can view online for free.

NFTs are crypto assets that record the ownership of a digital file such as an image, video or text. Anyone can create, or "mint," an NFT, and ownership of the token does not usually confer ownership of the underlying item.

Reports of scams,counterfeits and "wash trading" have become commonplace.
The Cent website is seen on a laptop. The NFT marketplace has suspended buying and selling, citing "rampant" fakes and plagiarism.
The U.S.-based Cent executed one of the first known million-dollar NFT sales when itsold the former Twitter CEO's tweetas an NFT last March. But as of Feb. 6, it has stopped allowing buying and selling, CEO and co-founder Cameron Hejazi told Reuters.

"There's a spectrum of activity that is happening that basically shouldn't be happening -- like, legally" Hejazi said.

While the Cent marketplace "beta.cent.co" has paused NFT sales, the part specifically for selling NFTs of tweets, which is called "Valuables," is still active.

Hejazi highlighted three main problems: people selling unauthorized copies of other NFTs, people making NFTs of content which does not belong to them, and people selling sets of NFTs which resemble a security.

He said these issues were "rampant," with users "minting and minting and minting counterfeit digital assets."

"It kept happening. We would ban offending accounts but it was like we're playing a game of whack-a-mole... Every time we would ban one, another one would come up, or three more would come up."

"Money chasing money"

Such problems may come into greater focus as major brands join the rush towards the so-called "metaverse," or Web3.Coca-Cola(CCEP)and luxury brand Gucci are among companies to have sold NFTs, whileYouTubesaid it will explore NFT features.

While Cent, with 150,000 users and revenue "in the millions," is a relatively small NFT platform, Hejazi said the issue of fake and illegal content exists across the industry.

"I think this is a pretty fundamental problem with Web3," he said.

The biggest NFT marketplace, OpenSea, valued at $13.3 billion after its latest round of venture funding,saidlast month more than 80% of the NFTs minted for free on its platform were "plagiarized works, fake collections and spam."

OpenSea tried limiting the number of NFTs a user could mint for free, but then reversed this decision following a backlash from users, the company said in a Twitter thread, adding that it was "working through a number of solutions" to deter "bad actors" while supporting creators.

"It is against our policy to sell NFTs using plagiarized content," an OpenSea spokesperson said.

"We are working around the clock to ship products, add features, and refine our processes to meet the moment."

To many NFT-enthusiasts, the decentralized nature of blockchain technology isappealing, allowing users to create and trade digital assets without a central authority controlling the activity.

But Hejazi said his company was keen on protecting content-creators, and may introduce centralized controls as a short-term measure in order to re-open the marketplace, before exploring decentralized solutions.

It was after the Dorsey NFT sale that Cent started to get a sense of what was going on in NFT markets.

"We realized that a lot of it is just money chasing money."

Arts

https://edition.cnn.com/2022/02/13/tech/nft-marketplace-plagiarism/index.html

Interesting NFTs
Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/
Portrait of the Artist in Digital Decay
Self Portrait taken in the East Village, January 2019. Stereoscopic Effect created with Facebook 3D photo, "painted" with neural imaging, then digitally pixelsorted. Single Edition Hi Res GIF Token by Sarah Zucker.
Hell Riders
A still image NFT. Exclusive to makersplace. February 2020.
Cappuccino
Sup playa! I'm Cappuccino. I want to live in a world where people believe the world is flat. I once pawed at a rooster. I don't like to talk about it. We can be friends, but keep the ultra purrsonal stuff to yourself, please.
Domestic - 2017
“Domestic is the manifestation of the cultural patriarchy in my home. The wooden "woman's" tragedy of false desire. It was done in a moment of breakup. The hollow 3d body & its lost eyes, invites you to fill up. Trying to reach out, encumbered and wrapped in its own fragility, the new mother rises."