16/09/2022 Starbucks is launching an NFT marketplace

Dive Brief:

  • Starbucks is launching an NFT marketplace calledStarbucks Odyssey, which will be integrated with the company’s loyalty program,it announced Monday.
  • Customers will have two paths to accumulating Starbucks NFTs: they can collect digital stamps by completing in-app tasks, like quizzes, or they can buy limited-edition tokens directly through the app via credit card.
  • Starbucks’ NFTs “will unlock access to new benefits and immersive coffee experiences,” according to the press release.

Dive Insight:

Starbucks claims it is one of the first chains to tie NFT offerings to its core business, but several major restaurant companies are dabbling in Web3 activations in a bid to grow digital touch points and attract Gen Z customers.

As of Monday, Starbucks customers and employees can join a waitlist to gain access to Starbucks Odyssey, which will go live later this year. The platform will host virtual “journeys,” or interactive games and challenges that will allow users to “deepen their knowledge of coffee and Starbucks.”

“Members will be rewarded for completing journeys with a digitalcollectible‘journey stamp’ (NFT),” Starbucks said in a press release. “Members can also purchase ‘limited-edition stamps’ (NFTs) through a built-in marketplace within the Starbucks Odyssey web app experience.”

StarbucksNFTswill have a points value based on rarity, enabling holders of the tokens to access rewards ranging from virtual espresso-martini-making classes to trips to the company’s showcase coffee farm in Costa Rica. Users can buy and sell tokens on a marketplace in the company’s app.

Brady Brewer, Starbucks executive vice president and chief marketing officer, said in a press release that the NFT offering was integral to the company’s vision of the future.

“This is just the beginning; Starbucks Odyssey is one of the ways we are reinventing the Third Place to meet our customers wherever they are,” Brewer said.

TheNFTsissued by Starbucks are secured with a “proof-of-stake”blockchain, which the brand touts as being more energy efficient thanthe notoriously inefficient“proof-of-work”systems likeEthereumor Bitcoin. It’s unclear, however, what degree of efficiency Starbucks’ system achieves.

Starbucks’bet onNFTscomes as weekly trading volumes, as measured by value and by number of sales,continue to erode. The weekly volume of trade in digital collectibles and art objects peaked at $914 million last August, according to the Block.co, a website analyzing market trends in blockchain-related technology. Since then, weekly trade in collectibles has fallen to less than $30 million in value, leaving thelong-termvalue of digital stamps uncertain.

The coffee chain’s NFT offering also goes beyond the Web3 plays of many of its rivals, who have restricted their experiments with this technology to limited-time experiential offers.Pizza Hut offered a virtual shoppingexperience in May, around the same time Jimmy John’s rolled out a virtual restaurant customers could use to order real custom sandwiches. Wendy’s announceda virtual restaurant in April. That same month, Chipotle added a virtual labor experience to Roblox, offering customers the chance toroll digital burritosin exchange for burrito themed in-game currency. These two initiatives appear to be long-term offerings.

Arts

https://www.restaurantdive.com/news/starbucks-odyssey-web3-NFT-marketplace/631595/

Interesting NFTs
#92257
By OthersideDeployer
The Rabble
The Rabble on the TV.
Really Remote Working Part 1
Created during the lockdown period whilst being confined to the same place every day, this piece is part of a series of imaginary places that I dreamed of being able to work from.
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Eye wonder how you got this scar.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.