18/01/2023 First National Geographic NFT Launch Meets Massive Backlash, Technical Issues

NatGeo’s NFT primer, featuring the Bored Ape Yacht Club, has angered a lot of fans.


Image: JuliusKielaitis / Shutterstock.com
Image: JuliusKielaitis / Shutterstock.com

National Geographichaslaunched its first NFTson Polygon and posted a detailed explainer of the technology on social media—prompting outright rage from hundreds of fans of the 135-year-old nature-centric magazine responding with rage.

NatGeo’s Instagram, Twitter, and Facebook accounts posted animageof a Bored Ape Yacht Club (BAYC) NFT Monday with a caption detailing the rise ofNFTs, which are unique blockchain tokens that signify ownership.

The social media posts were designed to prepare the magazine’s mainstream audience for itsown NFT droponPolygon, which dropped Tuesday and features work from 16 different photographers including Justin Aversano, Reuben Wu, Cath Simard, and John Knopf.

Today is the day! Nat Geo’s Genesis collection ‘GM: Daybreak Around the World’ will go on sale at 12pm PT / 3pm ET!https://t.co/03vvZMbCB0pic.twitter.com/Sdhfcv7bBK

— Nat Geo Photography (@NatGeoPhotos)January 17, 2023

The Backlash

The response to NatGeo merely mentioning NFTs on its social media accounts was met with an overwhelming number of negative comments, calling NFTs a “bubble” that “already popped,” “bullshit,” “an extinct species,” and even “another way to launder.”

Many urged NatGeo to “delete this.”

Others asserted that NFTs were an outright “scam,” effectively throwing the whole technology itself under the bus—even though people, not the technology, create NFTphishing scamsand “rug pulls.”

Even the manager of acclaimed photographer Ansel Adams’accountchimed into the conversation, replying to NatGeo’s Instagram post about NFTs with a simple “Nope.”

Image: Shutterstock

This kind of NFT backlash,sansnuance, is far from new. Netflix sawfalloutlast year when it created free NFTs as a part of its promotions for the latest season of “Stranger Things.” And thevideo game industryhas seen continued, consistentbacklashfrom gaming publications and gamers themselves who despise the technology.

It seems that the general public’s perception of NFTs hasn’t changed. TheEthereum Merge, which was executed in September 2022, didn’t do much to appease those convinced that NFTs were bad for the environment, either, despite the fact that the Ethereum Merge reduced ETH’s energy consumption by99.998%, per Ethereum Foundation data.

NatGeo has a massive following, with 256 million on Instagram, 49 million on Facebook, and well over 28.6 million on Twitter. Despite all the hate, though, its Instagram post about NFTs still received over 100,000 likes.

Despite the flurry of rage, it is notable that NatGeo has chosen to launch NFTs at a time where NFT trading volume is a sliver of what it once was. According to a Dune Analyticsdashboard, Polygon saw just $15.39 million in total NFT volume traded on OpenSea last month, a dramatic 80.5% decrease from its all-time high of roughly $79.45 million a year ago.

NFT Creators' Perspectives

While the majority of the more than 3,000 Instagram comments and nearly 200 Facebook comments were negative, some NFT artists chimed in to suggest that the majority of dissenters simply weren’t educated enough about NFTs.

“Welcome to the comment section, here you’ll witness a sea of people hating on what they don’t understand in their natural habitat,” wrote artistRyan Hawthorne, who has released Ethereum NFTs with prestigious auction house Sotheby’s.

“It’s a shame most people commenting negatives takes here won’t have taken the time to learn about the useful applications and problems the tech is solving/has the potential to solve,” said Betty, the pseudonymous cofounder of Ethereum NFT project Deadfellaz.

Not all the NFT creators and artists who responded came to NatGeo’s defense. TheNFT artistChuck Anderson, who goes by the name nopattern, criticized the magazine for using an image of a BAYC NFT.

“Of all the incredible projects, artists, and concepts in the NFT ecosystem, BAYC is far and away the corniest and most tasteless example,” Anderson wrote. “Bummer [that] this is what people who haven’t hopped in are still being fed.”

Snowcrash Struggles

Those interested in minting NatGeo NFTs have also reported technical problems. The mint, engineered by NFT platform Snowcrash, appears to be facing ongoing technical issues.

Arts

https://decrypt.co/119392/national-geographic-nft-launch-mint-backlash-technical-problems

Interesting NFTs
Tile [20, 5] - Bring It to Me
20 5
F E R I N A
Ferina
#84603
By OthersideDeployer
Genesis
JosĂ© Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.
Beautiful Worlds
Welcome to the ‘Beautiful worlds’ where nature and technology have merged into a single entity. These are Ai generated and hand finished visions of solarpunk future in which I would really like our future generations to live and prosper: the future we might have if we took the very “alternative route” which now lies before us: replacing states and corporations which free federations of communities and cooperatives, using decentralist and ecological technologies to create a world beyond economic scarcity and social hierarchy, defined by autonomy, mutual aid, diversity, and inclusiveness. The long-term goals of solarpunk are freedom and well-being for all by adopting and developing such ecological technologies as: solar, wind, wave and geothermal energy rather than oil or gas to generate electricity; a world of decentralized eco-cities, permaculture and vertical farming, free and open-source software, open-source hardware, small-scale fabrication laboratories, micro-manufacturing, 3D-printing, and countless examples of commons-based peer-production online: meeting the maximum amount of needs, in the shortest time, using the minimum possible amount of energy. It’s a world of decentralized and confederated eco-communities, using technology for human-centric and eco-centric ends rather than for accumulating power and profit – mending the metabolic rift between first nature (the natural world) and second nature (human culture) – and where social hierarchies of race, gender, sexuality, and disability are considered horror stories from the past “oil age”. Solarpunk desires societies of polycultural ethnic diversity and gender liberation, where each person is able to actualize themselves in societal environment of free experimentation and communal caring; This philosophy proposes that in order for the social and natural worlds to reconcile, humans must first transform their relations to each other – recreating society along egalitarian, cooperative, and democratic lines – and then transform their relations towards nature – adopting an attitude to cooperation, rather than domination, towards the planet and its nonhuman forms of life. Text by Connor Owens. This artwork took me a year to create and for you it will take a year to discover. Master autonomously updates once a day at 12am with one of 366 original artworks. Enjoy!
For projects
News and stats platform for NFT (non-fungible token) 2024 All rights reserved.