30/12/2022 Cuban NFT Artists Encounter Restriction of Web3 Freedom

NFT marketplace OpenSea has been delisting the accounts of NFT artists located in Cuba and other countries facing US sanctions for the past few months.

OpenSeaclaimedthe reason was “due to activity that goes against our Terms of Service,” in an email written to accounts such as NFTcuba.art on Twitter.

Its terms of servicestatethat use of OpenSea is prohibited for persons “located in, ordinarily resident in, or organized under the laws of, any Embargoed Jurisdiction” or “subject to any sanctions administered by an agency of the U.S. Government.”

Some of those sanctioned countries include Syria, Iran, Venezuela and the Republic of Cuba — an island that the United States has maintained a trade embargo with since the 1960s. However, despite OpenSea operating since 2017, it didn’t target Cuban-based accounts until recently.

OpenSea’s recent moves may be part ofrecent policy changes to make its verification processes more stringent. The result is a string of delistings of smaller creators with little to no clear explanations.

“We comply with US sanctions law,” an OpenSea spokesperson told Blockworks via email.

When asked why OpenSea seemed to be backtracking on their support of Cuban artists, the spokesperson added, “We continue to holistically evaluate what other measures need to be taken to serve our community and comply with applicable law.”

Artnet hasreportedthat more than 30 artists and collectors have been banned on OpenSea so far. Some of those now-banned artists had even participated in OpenSea’s second-ever Twitter Spaces in 2021, according to the artist David Ollua.

Another smaller NFT marketplace called KnownOrigin has followed OpenSea in geoblocking Cuba-based accounts.

MetaMask’s similar moves

Ollua’s OpenSea account was suspended back in August,deletingfour of his collections. In December, he received an error message when he tried to send one of his NFTs to a customer via the ConsenSys-backed crypto wallet MetaMask. “This is by far no web 3,” hetweeted.

It appeared that not only did OpenSea block access for Cubans in December, but so did MetaMask’s default settings.

In the comments of Ollua’s tweet, he said that he found a workaround for the Ethereum Main Network restriction by switching the defaultRemote Procedure Call(RPC) node in MetaMask to a custom node,bypassing the defaultprovided by Infura.

A similar issue occurred earlier this year when MetaMask users in Venezuela reported trouble connecting to Ethereum decentralized apps using Metamask. They speculated that it was due to the US sanctions on the country, although at the time, MetaMask and Infuratweetedthat there had been an incorrect configuration that led to the problem, which was swiftly corrected.

MetaMask did not immediately return Blockworks’ request for comment on whether the incidents are related.

This raises concerns as to how decentralized marketplaces like OpenSea or wallets like MetaMask truly are if users may lose access unexpectedly at any given time.

Generative NFT artist Ivona Tau, who mainly sells her work on the Tezos-supported NFT marketplacefxhash, said the situation “saddens” her. She posits that the bright side would be “if tomorrow an alternative platform emerged that would be fairer for artists, it would be possible for everyone to switch to that — this is the power of Web3.”

“The blockchain is not owned by these platforms and we don’t have to use them. There are alternatives,” Tau added.

Arts

https://blockworks.co/news/cuban-nft-artists-encounter-limitation-of-web3-freedom

Interesting NFTs
taNNa
conceptual art. drawing and digitally processed.
Hawk and Cherry
Katsushika Hokusai (1760-1849) Hawk and Cherry 1833-1834 - Japan
Ethboy
Young Vitalik takes on the role of Picasso’s son Paulo dressed as Harlequin in this artwork but the octahedron Ethereum logo replaces the chequered pattern of the original jester outfit. Leaning against a large chair, the boy genius fiddles with his fingers in a somewhat nervous manner; nevertheless, he stares directly at the viewer with what appears to be a confident, ‘Mona Lisa-like’ smile. Vitalik has no idea what the future has in store for him, but he’s prepared to face any obstacle ahead as he begins life's adventure.
Cockerel and chick
Katsushika Hokusai (1760-1849) Cockerel and chick late 1810s - Japan
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.