01/03/2023 Ethereum NFT marketplace passes $1B in volume for first time since May as the creator royalties war heats up

Glowing and shiny digital background with heap of stylized NFT tokens

Image Credits:whitehoune / Getty Imagesunder a RF license.

The NFT marketmay be finding its footing again as the market for non-fungible tokens on the Ethereum blockchain surpassed $1 billion for the first time since May 2022.

Amid the recent rebound, NFT marketplace Blur has also bested the once-largest NFT marketplace OpenSea in monthly volume for the third month in a row as the crypto market debates the issue of NFT creator royalties. Earlier this month, Blur also released its highly anticipated token airdrop, which disbursed about 360 million Blur tokens to users, or about 12% of the project’s total supply.

Many speculated that Blur activity would fall off after its airdrop lure concluded. Instead, trading volume on the marketplace continued to grow. The rise of Blur in the NFT market has helped reignite a debate concerning royalties. In previous quarters, OpenSea tried to balance creator royalties as it held the top position for NFT marketplaces, but Blur’s aggressive stance is causing OpenSea to change its tack.

Blur’s NFT marketplace has a 0.5% royalty fee, which many view as so nominal it’s basically nothing.

“I get the sense that Blur is not necessarily anti-royalties,”Yat Siu, chairman of Animoca Brands, said to TechCrunch. “But what Blur is doing, and other marketplaces are doing as well, is trying to capture market share.”

Arts

https://techcrunch.com/2023/02/28/ethereum-nft-marketplace-passes-1b-in-volume-for-first-time-since-may-as-the-creator-royalties-war-heats-up/?guccounter=1

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Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
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Yo! I'm Googly Swift Virgin. I enjoy riding dirty, taking selfies, and grooming. I once made a labradoodle jump. Can't wait to eat steak with you!
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