13/09/2023 SHŌ Group’s upscale NFT restaurant in San Francisco is officially never being built

After many delays, the NFT-backed restaurant/club that was supposed to offer memberships between $7,500-$300,000 is “not possible [to open] at this time”

07_Metaverse-others.jpeg

It looks like SHŌ — the NFT-backed restaurant/club in San Francisco that was supposed to open this fall as a two-story “culinary entertainment and nightlife experience” operated under SHŌ Group — is never going to happen. After Nation’s Restaurant Newspreviously reported onapparent construction delays on the project following a groundbreaking ceremony in Aug. 2022, amid lower than anticipated response to NFT membership sales, the project will not be completed.

“We have reached the difficult conclusion that bringing SHŌ to life atop Salesforce Park is not possible at this time,” Josh Sigel, CEO of SHŌ Group said in a statement publishedby Eater.

According to Eater, the Transbay Joint Powers Authority, which oversees Salesforce Park, where the NFT restaurant was supposed to be located, terminated its lease in July. SHŌ Group did not respond to requests for further comment.

SHŌwas first announcedin June 2022 during the NFT craze, when many operators thought that pricey crypto-backed digitalmemberships would be the future of exclusive dining clubs for an elite customer base. SHŌ San Francisco was supposed to be the company’s flagship and prototype business model that could be repeated in other cities around the world. When it was first announced, Sigel said the company would have offered three tiers of access to customers costing between $7,500-$300,000, with perks ranging from priority reservations and courtesy car pickup/dropoff, to exclusive curated trips to Japan.

However, just 10 months later, the project was struggling. In an interview in early 2023, Sigel revealed that only 100 NFTs were sold during the initial private sale, and that the promised wider public sale of the initially promised 3,275 NFTs had not yet happened, though it was set to occur within the next four weeks. As initially reported by SFGate, that wider public NFT sales never happened.

SHŌ isn’t the only group struggling to grow interest in exclusive NFT clubs. Brooklyn Chop House in New York City was also supposed to open a subterranean NFT lounge under its steakhouse with memberships costing between $8,000-$100,000, but the plans were scrapped, since Brooklyn Chop House co-owner Robert Cummins told Nation’s Restaurant News that customer tastes — and demand for NFTs — have changed and withered. Another similar project, helmed by New Jersey-based Dragonfly Brands, was abandoned early on in the development process.

Arts

https://www.nrn.com/operations/sh-group-s-upscale-nft-restaurant-san-francisco-officially-never-being-built

Interesting NFTs
X*Y=K
・゜゚・:.。..。.:*・'(゚▽゚)'・*:.。. .。.:*・゜゚・* for more info see https://tinyurl.com/56unnr39
#65297
By OthersideDeployer
Okay Bulls #6344
Okay Bulls is a clean collection of 10,000 bulls building a bullish community that will transcend the internet into the real world.
Lichtminer #4/4
Lichtenstein inspired wall art for the miners of ETH 5208, 4/4.
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.