15/09/2023 SEC Files Charges Against NFT Project ‘Stoner Cats’ Starring Ashton Kutcher, Mila Kunis and More

The LLC connected to the animated Web3 series, which also stars Jane Fonda, Seth MacFarlane and Chris Rock, agreed to pay a $1 million penalty and return payments to buyers of the NFTs.

Ashton Kutcher and Mila Kunis

The federal government’s crypto crackdown is hitting Hollywood again — this time targeting a starry animated Web3 series featuring the voices of Ashton Kutcher, Mila Kunis, Chris Rock, Jane Fonda, Seth MacFarlane and more.

The Securities and Exchange Commission on Wednesday charged the creators of theNFTcartoon seriesStoner Catsfor an unregistered offering of NFTs. Kunis and Kutcher not only lent their voices to the cast but also went on a media tour to tout the project.

Stoner Cats 2 LLC agreed to pay a $1 million civil penalty and use it to establish a fund to return money to the buyers of the NFTs, the SEC said in a statement. It did not admit or deny any wrongdoing.

Stoner Catslaunched in 2021 as an animated series funded by selling NFTs to buyers. The series is about the wacky adventures of cats who learn to talk after inhaling medical marijuana. The NFT offering (which raised more than $8 million) gave buyers access to watch the series, their own “Stoned Cat” avatar and promised the creation of future animated projects.

According toits website,Stoner Catswas created by Ash Brannon, Chris Cartagena and Sarah Cole based on Cole’s experience with her own mother. Kunis and her Orchard Farm Productions came on board and they “formed a formidable collective of voice talent, animators, and creatives of all kinds to come together with technology and NFT experts (including the brilliant minds behind CryptoKitties) to bring this story to life using NFTs.”

More than 10,000 unique NFTs were created and the six-episode series was only accessible to NFT owners — who also had access to the creators of the show, “making it one of the first projects to use NFTs to create a community of holders who get to see behind the curtain as an animated series is made and interact directly with top-level Hollywood talent.”

The SEC says that the illicit funds were used to pay the voice cast, as well as the animators, writers and others involved in the production.

“Regardless of whether your offering involves beavers, chinchillas or animal-based NFTs, under the federal securities laws, it’s the economic reality of the offering — not the labels you put on it or the underlying objects — that guides the determination of what’s an investment contract and therefore a security,” said Gurbir S. Grewal, director of the SEC’s Division of Enforcement, in a statement. “Here, the SEC’s order finds that Stoner Cats marketed its knowledge of crypto projects, touted that the price of their NFTs could increase and took other steps that led investors to believe they would profit from selling the NFTs in the secondary market. It’s therefore hardly surprising, as the order finds, that Stoner Cats sold its entire supply of NFTs in just 35 minutes, generating proceeds of over $8 million, most of which were then resold — not held as collectibles — in the secondary market within months.”

The production ofStoner Catsinvolved well-known writers, animators and voice actors. The team of writers and animators were recognized for their work on major animated films and motion pictures. As compensation, SC2 paid the actors and artists (as well as the producers and managerial and technical professionals on the project) all of the offering proceeds and all of the royalties it generated from secondary market sales in the Stoner Cats NFTs.

No individuals are named in the SEC’s order, and the agency wouldn’t provide those details. An SEC spokesperson said in a brief statement, “We decline comment beyond our public filings on the matter.”

Reps for Kunis and Kutcher, whorecently received widespread backlashto letters they wrote to the court in support of formerThat ’70s Show castmember Danny Masterson ahead of his sentencing, have not yet responded to a request for comment.

Arts

https://www.hollywoodreporter.com/news/general-news/sec-nft-stoner-cats-starring-ashton-kutcher-mila-kunis-1235589402/amp/

Interesting NFTs
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
#96363
By OthersideDeployer
EYE-ROLLA #16/25
ROLLIN EYES
Tiger Deer
Aloha! I'm Tiger Deer. I'm a professional Foreign Film Director and I love chocolate. I once got in a fight with a dolphin, and won. Purrhaps this is the beginning of a beautiful relationship.