15/03/2024 Great Web3 games should be fully — not partially — on-chain

Unlike games that rely partly on centralization (Axie Infinity), fully on-chain games give players more control — and get them more engaged.

Great Web3 games should be fully — not partially — on-chain

Gaming has been a catalyst in resurrecting Web3 from a year-long winter. It’s also a key force for mass adoption. Yet, the journey towards fully realizing the potential ofWeb3gaming is fraught with challenges, notably the seamless integration of on-chain elements without sacrificing the core tenets of decentralization and player empowerment.

New users should only experience friction if necessary, and as late as possible. That’s not the case with most existing Web3 games. From connecting their wallets upfront to signing transactions for verification, users face multiple hurdles before actually trying the game. These frictions contrast starkly with the vision of a seamless and accessible gaming world that fully on-chain gaming aspires to achieve.

Titles such asAxie Infinityand CryptoKitties, though groundbreaking, fall short of being fully on-chain. Fully on-chain games store all game assets, mechanics, and states on the blockchain. This radical approach ensures unparalleled transparency, security, and player control, allowing for a truly decentralized gaming experience where players own and shape their digital destinies.

Building the best game demands a functional, efficient combination of on-chain elements and the rich user experience of legacy titles.

Holding Web3 games toWeb2 standardsis comparing apples to oranges. Their requirements, value propositions, and scopes differ greatly despite serving similar audiences.

Web3 games are meant to solve age-old problems like top-down models, lack of user control, and strong-arming by gaming corporations. That’ll happen only by implementing alternative models, processes, and principles — not by emulating the outcomes achieved in Web2.

We can even argue that terms like “engaging,” “seamless,” and “hassle-free,” will take on new meanings in this context, enhanced by other aspects like community orientation, real in-game value, and user-generated logic.

Therefore, when building Web3 games, the most crucial requirement is to address novel challenges, ideally involving embracing innovative technologies and models that align with the principles of autonomy and community governance. It’s about building “Autonomous Worlds” (AWs), a concept introduced in 2022 by Ludens — the founder of Lattice.xyz — to describe “a world with a blockchain substrate.”

Moreover, new-age games must nurture and serve the expanding community of problem-aware gamers. Those who seek genuine solutions to the odds stacked against them in legacy gaming. Not mere bounty hunters and fleeting profit-mongers.

Building fully on-chain games

Ironically, Axie Infinity and CryptoKitties served as pivotal catalysts in the evolution of blockchain gaming — but they weren't fully on-chain. They were experimental, niche, and heavily crypto-centric, characterized by their clunky user interfaces. Despite opening up new avenues, they weren’t entirely "Autonomous Worlds" either. Users had little or no control over the rules and direction of the game, and only parts of the game states were on-chain.

need help my ship is stuck in the ░F░O░G░pic.twitter.com/Hn6jn3NTOK

— The Citadel (@0xCitadel)March 6, 2024

Dark Forest was the first decentralized real-time strategy game, released in 2020.Using zero-knowledge proofs (zkProofs), a cryptographic protocol, to create a “fog of war” in the gaming experience, this project set an example in building incomplete information games on-chain. For reference, think of games like poker, where players only see their hands and don’t know what cards others have.

The challenge Dark Forest tackled was maintaining a publicly accessible distributed ledger without compromising the confidentiality of players' strategies — a fundamental aspect in any strategic gameplay.

Using zkProofs, Dark Forest maintained gameplay integrity and player privacy on a blockchain. This approach solved the critical issue of revealing sensitive game states (e.g., planet locations or attack trajectories), which is easily manageable with centralized servers but very challenging in decentralized environments. Dark Forest's solution set a precedent for real-time strategy gaming on the blockchain, providing a blueprint for future on-chain game development.

They even sparked the proliferation of community-oriented, bottom-up AWs: Mithraeum, Citadel, ZkHunt, and so on. Loot Project was another interesting addition to this space, letting users permissionlessly expand the IP and spawning hundreds of games, lores, etc.

47f737ec-4ee2-4e84-bfe4-39dd1cda1e52.jpgMithraeum. Source:Screenshot

By putting everything on-chain — from game states (assets, actions, etc.) to logic (rules of introduction, mechanisms for in-game interactions, etc.), AWs unlock flexible and resilient digital realities where users come of their own.

Going beyond in-game asset ownership, they incentivize players to attach greater significance to their on-chain gaming activities. More importantly, on-chain logic provides gamers with a meaningful say in what’s legitimate and what’s not in the game-world.

This is a massive departure from the status quo, where end-users are mostly passive consumers, playing at the whims and mercy of corporate publishers. Rules and norms emerge via community consensus, not the arbitrary will of external entities. And they serve grassroots interests. Players can build, contribute, monetize, and participate in ways that are impossible in Web2 games.

The empowering, skin-in-the-game nature of AWs instills a stronger desire for mastery in gamers. They’re more driven to find creative solutions to solve problems and create mods and plugins to establish entirely separate economies within the game. This participatory fosters a deeper connection to the game, encouraging creativity, problem-solving, and collaboration within the community. For example, Dark Forest players have built a range of bots, plugins, and custom clients they can use to climb a leaderboard.

As we look to the future, the journey towards fully on-chain gaming is not without its challenges, yet the promise it holds is immense. By redefining engagement, ownership, and control within the digital realm, on-chain gaming is poised to offer experiences that more closely mirror real-world interactions and relationships. In doing so, it not only enhances the richness of virtual worlds but also establishes a new standard for what gaming can be—truly immersive, empowering, and reflective of the players' desires and aspirations.

The principles of decentralization, player sovereignty, and community collaboration will be the guiding lights, shaping the future of gaming into an inclusive, democratic, and exciting digital frontier.

Felix Xuis a co-founder and CEO of ARPA. Felix graduated with Finance and Information Systems degrees from New York University. For the past six years, Felix has been working on venture capital investment in fintech, big data and AI startups. Most recently, Felix led blockchain sector research and early-stage investment at Fosun Group, one of the largest conglomerates in China.

Arts

https://cointelegraph.com/news/great-web3-games-should-be-fully-not-partially-on-chain

Interesting NFTs
Ringers #686
There are an almost infinite number of ways to wrap a string around a set of pegs. On the surface it may seem like a simple concept but prepare to be surprised and delighted at the variety of combinations the algorithm can produce. Each output from 'Ringers' is derived from a unique transaction hash and generated in Javascript in the browser. Feature variations include peg count, sizing, layout, wrap orientation, and a few colorful flourishes for good measure. Additional project feature(s) => Background: White, Size: Normal, Wrap orientation: Off-center, Wrap style: Weave, Peg layout: Recursive grid, Peg scaling: Uniform, Body: Yellow, Peg style: Solid, Extra color: Red, Peg count: 15
#60649
By OthersideDeployer
Ethboy
Young Vitalik takes on the role of Picasso’s son Paulo dressed as Harlequin in this artwork but the octahedron Ethereum logo replaces the chequered pattern of the original jester outfit. Leaning against a large chair, the boy genius fiddles with his fingers in a somewhat nervous manner; nevertheless, he stares directly at the viewer with what appears to be a confident, ‘Mona Lisa-like’ smile. Vitalik has no idea what the future has in store for him, but he’s prepared to face any obstacle ahead as he begins life's adventure.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
RAREmagmaPaw
Ciao! RAREmagmaPaw here. I'm here to enjoy sweating through my feet and breakdancing. I'm convinced that the world is flat. One day I'll prove it. Can't wait to eat apple pie with you!