23/08/2024 FBI will use NFTs to contact victims of crypto fraud scheme Clucoin

The FBI will notify victims of a $1.1 million fraud scheme through NFTs after the founder pleaded guilty to using the funds to fund his online gambling habit.

FBI will use NFTs to contact victims of crypto fraud scheme Clucoin

The Federal Bureau of Investigation is set to use non-fungible tokens (NFTs) to return $1.14 million in funds to victims involved in a crypto fraud scheme that began with the launch of a sham project called CluCoin in 2021.

According to an Aug. 21statementfrom the US Attorney’s Office in Florida, 40-year-old Austin Michael Taylor pled guilty to wire fraud on Aug. 15 for routinely using investor funds intended for his CluCoin (CLU) project to fund his online gambling habit.

The FBI will provide notice to “identified victims” of the planned restitution through their NFTs — marking one of the first times law enforcement has publicly stated it will use NFTs to contact victims.

The US Attorney’s Office also requested that anyone believed to be a victim in the fraud schemeproviderelevant information to the FBI.

The CluCoin scheme explained

Taylor, better known by his online alias DNPThree, founded CluCoin in 2021, promising investors that the crypto scheme would have a “charitable focus.”

After raising funds, Taylor launched CLU by way of an initial coin offering (ICO) on May 19, 2021.

Following the launch of CLU, Taylor shifted his focus to minting NFTs, developing new computer games, and even proposed launching a metaverse platform.

According to court documents, Taylor organized a conference called “NFTCon: Into the metaverse” at a Miami hotel on April 4, 2022, to drum up further interest in CluCoin and its spin-off projects.

Following the event, Taylor began making withdrawals from a crypto wallet, which controlled a portion of CLU investor funds. Between May and December 2022, Taylor funneled a total of $1.14 million worth of investor funds to his own accounts on various crypto exchanges before transferring these funds to online casinos.

Taylor issued a publicapologyfor his actions in Jan. 2023, saying that he became “incredibly addicted to gambling” and added that he was “deeply sorry” for misusing investor funds.

Taylor issued a public apology after losing investors’ funds. Source: Reddit.

Taylor agreed to pay back $1.14 million intended for victims’ restitution.

Taylor will face sentencing on Oct. 31 and faces a maximum sentence of 20 years in jail for wire fraud.

On Aug. 2, the FBI sent out a warning, asking web users to be vigilant of scammers pretending to be affiliated with crypto exchanges to steal users’ funds.

On June 4, the FBI alsowarned of a risein work-from-home job advertisement scams involving crypto, where scammers provide the illusion of a lucrative job but are just a way to steal digital assets.

Arts

https://cointelegraph.com/news/fbi-use-nfts-contact-victims-crypto-fraud-scheme-clucoin

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Genesis
JosĂ© Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.
HUMAN ONE
be careful where you step.
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Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/