02/11/2022 ‘Rick and Morty’ Co-Creator’s NFT Collection Sees $14M in Trade Volume Hours After Mint

The project aims to create a “decentralized art ecosystem” using NFTs and complex tokenomics.

(artgobblers.com)

Another day, another buzzy non-fungible token (NFT) mint – this time forArt Gobblers, a collection created by television director and voice actor Justin Roiland with backing from Web3 venture firm Paradigm.

Roiland is the co-creator of the animated comedy show "Rick and Morty," which is especially popular among the crypto-native crowd. The collection, which was free to mint, has so far seen over 9,600 ETH (around $15 million) in trade volume since minting hours ago on Monday night, according todatafromnew NFT marketplace Blur.

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Art Gobblers’ stated goal is to create a “decentralized art factory” using a combination of NFTs, a GOO token and community collaboration.

How it works

Each of the collection’s 2,000 NFTs are meant to function as own on-chain, transferrable art galleries. Owners of the NFTs can “digest” artwork created on the project’s website to add to their “art bellies,” which become curated collections that are also transferable.

Art can be minted using an ERC-20 token called GOO, which is earned by holding Gobblers. The tokenomics get a bit complex – after earning GOO, holders can create “Pages,” which are NFTs that act as blank canvases to either digest, trade or “glaminate” with custom artwork.

CoinDesk - Unknown

(artgobblers.com)

The art reveal for the NFTs is slated for Tuesday, but holders and non-holders can create off-chain art on the project’swebsiteas a preview of what’s to come.

At the time of writing, the collection has an impressive 11 ETH (around $17,000) floor price, according toaggregated datafrom Blur’s NFT marketplace. The collection has a royalty rate of 6.9%, and just under half of buyers are bypassing the royalty fee by using royalty-optional marketplaces like Blur and X2Y2.

In less than one day of trading, the collection is already in the top 10 for October sales volume, according todatafrom OpenSea.

Arts

https://www.coindesk.com/web3/2022/10/31/rick-and-morty-co-creators-nft-collection-sees-14m-in-trade-volume-hours-after-mint/

Interesting NFTs
Her Mind Had Gone Out For A Stroll & Fallen Down The Rabbit Hole
Her Mind Had Gone Out For A Stroll & Fallen Down The Rabbit Hole' is the first programmable piece of art by Kitty Bast. The owner constructs, modifies & tattoos their very own Doll Lady... Is she falling down a rabbit hole, lost in a sea of cats or gazing into the unknown void? Do you like Pink Ladies or Lilac Ladies? Or do you pick the Wild Card? There's always a wild side to an innocent doll face. Is she obsessed with crypto ponies or crypto kitties? Or does she have an insatiable desire for Mr. Honey Badger. Come inside and have a nice cup of NFTea with the bunnies. Is your lady chained to the blockhain? Does your lady shed Bitcoin tears or ETH tears? Does your doll face don a Rotten Heart? Do you HODL to the Moon to meet the ETH Kitty? Do you have an obsession for cyborgs or Puddin'? Would you like a slice of Death by Pink? Is The Cat's Eye green or golden? Little trolls with mini daggers not included. The cheshire cat might trade you his ears for your goggles. Modifications of the Host. How long is forever? Sometimes, just one second.
#62732
By OthersideDeployer
Fidenza #529
Fidenza is by far my most versatile algorithm to date. Although the program stays focused on structured curves and blocks, the varieties of scale, organization, texture, and color usage it can employ create a wide array of generative possibilities. Additional project feature(s) => Scale:Large, Turbulence:Med, Colors:Luxe-Derived, Have Margin:Yes, Spiral:No, Soft Shapes:Yes, Super Blocks:No, Collision Check:No Overlap, Outlined:No, Shape Angles:Curved, Density:Medium
Darrin Mint
Yo! I'm Darrin Mint. I enjoy tripping my owner, picking on mice, and fighting for the people. Sometimes I daydream of a life full of hitting on yo' man, lasagna, and sleeping in fresh laundry. Let's get busy!
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.