30/12/2022 NFT vending machine founder: ‘Don’t count crypto out’

Hugo McDonaugh, who introduced a vending machine that offers non-fungible tokens, sees a big future for NFTs and cryptocurrency, despite some recent crypto setbacks.

NFT vending machine founder: ‘Don’t count crypto out’

Cryptocurrency has taken a big hit of late with the bankruptcy of the FTX crypto exchange, but one crypto entrepreneur that has brought crypto to the vending space believes the technology has a promising future.

Hugo McDonaugh

Hugo McDonaugh, who introduced a vending machine that offers non-fungible tokens — a technology that enables physical assets to be sold using non-interchangeable units of data stored on a blockchain — shared his views in aBloomberg podcast.

The podcast, "Would You Buy an NFT From a Vending Machine?" was moderated by Philip Lagerkranser, senior editor at Bloomberg News, and Bloomberg reporter Tanzeel Ahktar.

McDonaugh presented myNFT, an online marketplace for trading NFTs, using a vending machine atNFT.Londonat the Queen Elizabeth II Centre in London, U.K. in October.

"I think every single non-fungible asset in the world will have a token to represent its value, its authenticity, its trading capability…and so we wanted to be a part of that future or create something or system that would help make that a reality," said McDonaugh, who launched myNFT in 2017.

Growing pains

He agrees crypto had "quite a year" in 2022.

"I think you have to look at it in the context of any sort of game-changing paradigm shifting technology that comes to the fore — how it works," he said.

"Booms and busts and natural bubble cycles was a part of dotcom, was a part of the railroad in the U.S. It was a part of huge technology changes because of human behavior and excitement and these kinds of things.

"I think the thing that comes out of this is better for the industry. The uncertainty is taken out of the industry and more certainty gets put back in. People who want to build value get found and the capital begins to flow into those rather than the more speculative projects, and also it will pave the way for some form of…sensible regulation."

Vending's role

The vending myNFT machine is an effort to make NFTs more accessible, he said.

The user pays 10 pounds ($12.07) and gets an NFT card from the machine. They scan the card and gain access to myNFT where they have access to a non-custodial cryptocurrency wallet. They can then buy and redeem NFTs that are automatically sent to their wallet.

MyNFT recruited artists to donate their works to the vending machine for the October London event. Buyers were able to buy these redeemable NFTs.

"Once they're in your wallet, as the owner you can do what you like with it," McDonaugh said. "You could resell it if you wish to. You could hold onto it forever. You could collect other pieces from that artist."

There were some "hiccups" for the redemptions when the vending machine payment services provider couldn't handle the volume, he said, "but we resolved them as time was going on."

Future promising

McDonaugh welcomed the fact U.K. government officials wanted to educate themselves about cryptocurrency.

He said a government report noted NFTs can represent property rights, adding the U.K. could create rules for the cryptocurrency space to allow innovation to flourish.

"I think you will have businesses with private blockchains. I think you'll have big really decentralized public blockchains…I think that what you'll end up happening is an Internet of blockchains."

MdDonaugh looks forward to seeing users being able to move NFTs between blockchains.

"I think there's going to be a lot of innovation around that multichain concept over the next few years."

While there is a lot of NFT artwork available, he envisions more types of NFTs.

"At the end of the day it's a digital deed, it's a blank canvass in which you can program different kinds of value and different rules and so I think there's a world where you'll start seeing new kinds of assets that exist in the traditional world being tokenized as NFTs. I think it's going to start happening. And that will bring more liquidity to these fairly illiquid markets, and I think that will be interesting."

PopCom, an automated retail technology company specializing in vending and kiosk solutions, introduced akiosk selling NFT artworkat NFT.NYC, a gathering of Web3 developers and followers in June.

Arts

https://www.vendingtimes.com/articles/vending-machine-nft-founder-dont-count-crypto-out/

Interesting NFTs
Christmas Sleigh
First Christmas-themed Visual Toy. For this work the artist has created a fantastic sleigh, ornamented in detail and with all the Christmas spirit that transports us to childhood, illusion, innocence. With its gift wrapping machinery, its Santa, a snow globe, the nutcracker, the European-style village and its soundtrack (first time with music) it is a whole Christmas mosaic for the imagination.
David vs the Virus
"An ode to the year everything changed" - Frank Wilder The story of the underdog is a reoccurring theme throughout history, and perhaps the most famous example is that of David vs Goliath. A tale about perseverance, in which David takes on and defeats the giant warrior using only his smarts and a stone. Famously depicted by Michelangelo's David statue. Fast forward to the present day in 2020 and we as humanity are faced with our own Goliath. An uncontrollable pandemic spread around the globe. Now with the entire planet being affected by this we understand the gravity of the situation at hand, whether it be a virus we’re fighting or other forces at play, there is indeed an energy out to shift the balance of the Universe… Regardless of our differences, in this moment must unite as one. With diligence, trust and belief we as a whole can come together to triumph against "the enemy". Stay vigilant my friends. Original score created by the one and only Phoenix Wilder.
Nirvana No.1
Nirvana No.1 Auction Ends with Lucky 07-07-2021 Good Luck
Sweety Kitty
Aloha! I'm Sweety Kitty. All you need to know about me is I hate hamburgers with a passion. Some people say I'm the Ross Geller of the group. Purrhaps this is the beginning of a beautiful relationship.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?