19/04/2023 Trump Drops Second Series of Digital Trading Card Collection

Despite his recent indictment, Donald Trump isn’t slowing down with his Web3 ambitions. The former U.S. president announced Tuesday the release of a "Series 2" of hisNFTcollection Trump Digital Trading Cards.

Trump shared the news on his social networkTruth Social, telling followers that after “great success,” he’s expanding the collection with a second mint that’s now available to collectors.

While the tokens will be minted on the Polygon blockchain and remain at theiroriginal mint price of $99, the art, rarity traits and utility features will differ from the first collection. For starters, Series 2 includes 47,000 non-fungible tokens – 2,000 more than the first series. That could be a nod to his ambition to return to the White House as the 47th president.

According to theTrump Digital Trading Card website, no 10 tokens will have the same features. Rather than a sweepstakes, collectors who purchase 47 tokens can claim a dinner with Trump at his Mar-a-Lago resort in Florida. Collectors who purchase 100 tokens with a cryptocurrency will earn the dinner and a unique Trump-themed artwork.

Upon the news of the upcoming collection, the floor price of the original collection onsecondary market OpenSealost about half its value, sinking to 0.2 ETH (about $420) from nearly 0.4 ETH ($840).

Arts

https://www.coindesk.com/web3/2023/04/18/trump-drops-second-series-of-digital-trading-card-collection/?outputType=amp

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Auto-Erotic Sphinx with Toys
In this image, a giant sphinx spoons itself in erotic play within an aquatic styled environment littered by various denizens. These creatures include symbols and archetypes both current and nostalgic–each inhabiting a rootedness within mass cultural adolescence. Among the roster are Servbots, video game inspired mushrooms, a Pacman-like creature, a distant sea faring rubber duck, creatures sporting the symbols reminiscent of popular anime, and a Pokemon-like rabbit (a novel incarnation of Ganesha indicated by the Shiva trident on its nose). In addition, a few sea creatures partly inspired by sea monsters of western antiquity conglomerate along the mid left side of the composition. The Sphinx itself is an amalgam of aquatic, fetishist, ancient Egyptian, and 80’s style adornments, both living, as in a clown fish, or material, such as a cassette tape. Nautically colored antennae receive somatic signals from the atmosphere, perhaps from the 8 Ball moon or giant ringed planet beyond.
Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji
Katsushika Hokusai (1760-1849) Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji 1831 - Japan
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The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.