14/07/2021 Tether’s founder predicts that almost all consumer products will have ‘digital twins’ in ten years

The world’s digital answer to collectibles that has fetched millions of dollars at art auctions this year could well end up being a daily necessity within a decade, according to a cryptocurrency doyen.

Non-fungible tokens, which are digital certificates of authenticity powered by blockchain technology, have the potential to add value for not just artworks but also everyday essentials such as retail goods, according to William Quigley, a co-founder of stablecoin Tether.

“All consumer products—that can’t be eaten—in the next 10 years will have digital twins. They will have NFTs,” Quigley said in a recent interview.

Subscribe to The Ledger for expert weekly analysis on fintech’s big stories, delivered free to your inbox.

There’s a growing debate over the outlook of what some consider a key element of futuristic financing and others see as yet another digital asset bubble created by excess liquidity and inflation fears. The recent wild price swings for cryptocurrencies including Bitcoin, a result of rising environmental concerns and a widening crackdown led by China, have increased the uncertainties.

NFTs have surged in popularity this year, fueled by deals including the record-breaking $69.3 million sale of “Everydays: the First 5,000 Days” by digital artist Beeple and a video of a LeBron James dunk. Now everyone from art galleries to the International Olympic Committeefashion houses and Twitter Inc. is offering the digital tokens.

Crypto data provider CoinMarketCap says that 57 projects in the “Collectibles & NFTs” category it tracked at the start of this year ballooned to $16.7 billion in market value as of Thursday, from $4.67 billion on Jan. 1. However, a broader pool of 159 projects it has since monitored were worth $19.2 billion as of Wednesday, down 52% from an April 16 peak.

The volatility has elicited caution over NFTs, even from Vignesh Sundaresan, also known as MetaKovan, who bought Beeple’s record-smashing digital artwork. In an April interview, he cautioned that anyone trying to profit from NFTs is “taking a huge risk” and that it’s “even crazier than investing in crypto.”

More fundamental and longer-term questions about the sustainability and security of blockchain technology itself, as well as its potentially exhaustive consumption of energy, also have unsettled some investors.

But the NFT proponents say they are playing the long game.

“We expect to see use cases for NFTs expand beyond digital art and collectibles,” said Monica Long, general manager of RippleX at Ripple, via emailed comments. They’re “opening up new revenue streams for artists and creators,” she said.

Examples of how to apply the technology in other areas include “carbon-offset” NFTs, which would see the U.S. National Forest Foundation plant a sapling whenever a token is redeemed, Quigley said.

Arts

https://fortune.com/2021/07/13/nft-retail-digital-twin-tether-founder-quigley/

Interesting NFTs
The Complete MF Collection
THE COMPLETE MF COLLECTION by Beeple
Portrait of the Artist in Digital Decay
Self Portrait taken in the East Village, January 2019. Stereoscopic Effect created with Facebook 3D photo, "painted" with neural imaging, then digitally pixelsorted. Single Edition Hi Res GIF Token by Sarah Zucker.
Ushibori in Hitachi Province, from the series Thirty-six Views of Mt. Fuji
Katsushika Hokusai (1760-1849) Ushibori in Hitachi Province, from the series Thirty-six Views of Mt. Fuji 1832 - Japan
Grey Emerald Wolf
Yo! I'm Grey Emerald Wolf. All you need to know about me is I hate ice cream with a passion. It wasn't heavily publicized, but I once had a brief relationship with Cheshire Cat. I think you'll love me beclaws I have cattitude.
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.