01/08/2021 The Rise and Rise of NFT Artworks

If the pandemic has been good for anything at all, it’s the fuelling of online shopping, interaction and creativity. Case in point: the recent prominence of artists (and their less-obvious collaborators) pushing non-fungible tokens, or NFTs—digital collector cards that accompany an artwork, providing bonus material. An idiosyncratic Easter Egg, if you will.

If you’ve heard of them, chances are you hadn’t just a few months ago. This doesn’t make you uncool or unaware. While it’s true they’ve been knocking around since 2014 (see Decentraland or CryptoPunks), they didn’t hit the mainstream until early 2021, with many high-profile and unexpected collaborators wanting a slice of the crypto pie.

For example, Liam Payne of One Direction teamed up with Grammy-winner Zedd and audio-reactive artist Sillygabe to create the Lonely Bug Collection, launched a month ago. This was a product of lockdown boredom (plus a somewhat stalling solo career and lots of money to play with) and allowed Liam’s fans to bid on NFTs to gain special prizes, such as a place at the table next to the singer himself at an immersive dinner party in Las Vegas.

How successful this has been for Payne has not been announced; he’s gone quiet on the subject since it launched, and his following consists largely of teenage girls (albeit in their millions) who likely don’t have the disposable income to throw around on digital art bidding. Nonetheless, Payne’s popularity and reach will have opened NFTs up to vast group who might normally be uninterested.

Another artiste tossing his hat into the NFT ring is two-time Oscar-winner Anthony Hopkins. The Hollywood star (who famously skipped Skyping into the Academy Awards to accept his gong for The Father this year because he thought he wouldn’t win) appears in Zero Contact, a movie shot mostly on Zoom and the first film released on VUELE, the world’s debut NFT viewing platform.

Meanwhile, in March, Christie’s sold American digital artist Beeple’s work Everydays: The First 5000 Days for $69.3m. The auction house made further NFT history in May when it offered traditional paintings by women alongside tokens by the anonymous digital feminist collective Rewind.

Having honoured women, Rewind has now focused on LGBTQ+ youth, teaming up with fashion house Givenchy, specialised sales platform Veve, and art space Amar Singh Gallery. More history has been made by this collaboration. Not only did they sell the world’s first NFT for a beauty brand, they did it in two seconds, making $128k. Gallery owner Singh told V.F.: “Rewind created the work using original photography, editing the images digitally, utilising animation to create this burst of movement that was in celebration of LGBTQ+ rights.

“If you look throughout the artwork there’s the pride flag, the trans flag, two women, two men—it’s very powerful. It was sold in 1,952 editions and they all sold out. That’s monumental. And it’s the first time we’ve seen one of the largest companies in the world embracing digital artwork. And rather than doing this for profit, they’re doing it for good.”

The artwork is titled “Pride” and draws inspiration from Givenchy’s hallmarks in a series of animated portraits symbolising diversity, the assertion of identity and the fight for equal rights. The message: a universal kind of beauty.

Givenchy Parfums have donated the money raised to Le MAG Jeunes (Movement for the Assertion of Young Gay, Lesbian, Bi & Trans people), a French initiative founded in 1985 in Paris, which raises awareness and delivers support at schools by lobbying international institutions and promoting the implementation of more inclusive public policies.

“It was an honour to partner with Givenchy, Amar Singh Gallery and Veve to raise this money for such an important cause,” says Rewind. “As artists, our mission remains committed to highlighting the underrepresented and marginalised.”

And they’re up for more. “Rewind Collective want to collaborate again alongside me for further LGBTQ+ causes,” Singh says. “We are looking at other digital artworks and artists as a new frontier to help solve global issues around women’s and LGBTQ+ rights.”

So are NFTs the way of the future, now that auction houses, perfumers, Silence of the Lambs fans and Directioners are all clubbing together to get involved?

“There will always be physical art, but digital art opens the gate to millions of collectors,” Singh weighs in. “Gen Z, millions of young people, will continue to buy this type of art, I’m certain.”

Arts

https://www.vanityfair.com/london/2021/07/the-rise-and-rise-of-nft-artworks/amp

Interesting NFTs
Ocean Front (Beeple)
Cinema 4D, Octane render, Photoshop Everyday #4344
Who is Satoshi Nakamoto?
"Who is Satoshi Nakamoto?" is dedicated to the mysterious creation of Bitcoin, and acts as the showcase artwork within Javier Arrés’ exploratory series "Bitcoin, The Origin". "Who is the creator of Bitcoin?" The artist, Arrés, explores this question, and the feelings of doubt and mystery that accompany it, through his unique artistic language. An unknown, an enigma. It should be remembered that the name Satoshi Nakamoto is a pseudonym of Bitcoin's author or authors and gives us little insight into its true creator. For this Visual Toy, Arrés uses the signature claw machine, his famous half-operation, to symbolize our collective ignorance and unconfirmed belief: As soon as it has the stuffed animal within its grasp and appears to have solved the puzzle, the animal escapes again, and again. At present, there are three more public and studied possibilities who are either believed to be the creators of the currency or who directly claim the creation of it. It may be all or none of them, yet these three personalities leave us clues which are an important part of this interesting enigma. For this moment, it will remain unknown... In this artwork, Arrés elevates the claw machine from the apparatus, to an iconic pop art object serving as an important element to the Bitcoin creation narrative. Action is everywhere, with each movement serving an iconographical or metaphorical purpose related directly to cryptocurrency: Various ups and downs, roller coasters, mining points, robot, coins and more speak to a sense of hope, risk, mystery, randomness and possibility of pay out. Hundreds of manically thought out details make this creation one of the artist’s most complex Visual Toys to date. ------- "Bitcoin, The Origin" is a set of two Visual Toys, titled "Who is Satoshi Nakamoto" and "It’s Alive!" which reflect and explore the mystery and enigmas behind the creation of Bitcoin. Arrés presents these proposals to us in his signature style, full of iconography, fantasy, maniacal animations and a panoply of details (both subtle and overt) which simultaneously fascinate, hypnotize, and narrate this historical milestone through the singular vision of the artist. Through this series, Arrés freezes a crucial moment of cryptocurrency history, taking a still photo under his vision and turning it into two unique crypto artworks. ---- More info about Javier Arrés: https://javierarres.com/about.html
/ TWO BLINDFOLDED EYES /
Trust your Intuition, two blindfolded eyes look much clearer than a blind mind.
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.
#6368
By OthersideDeployer