20/08/2021 Editorial: Russell Simmons, Snoop Dogg launch ‘Masterminds of Hip-Hop’ NFT collection

 

Editorial: Russell Simmons, Snoop Dogg launch ‘Masterminds of Hip-Hop’ NFT collection

By Stacy Brown

NEW YORK – Russell Simmons says he wants hip-hop pioneers to get their flowers and much-deserved money while still alive.

Over three days in New York – beginning with a massive celebratory dinner at The Chop House in the city’s financial district, Simmons and some of raps’ unsung pioneers officially unveiled the Masterminds of Hip-Hop – a collaboration with NFT marketplace Tokau. The NFT – non-fungible tokens – honors those who laid the groundwork for hip-hop culture today like D.J. Hollywood, Busy Bee Starski, Grandmaster Caz, and others.

Superstar Snoop Dogg will curate the NFT collection, which he and Simmons hope will reap cash for individuals like Hollywood, Caz, and a host of legendary founders.

“This is a multi-billion-dollar industry, and there are so many of the younger generation who don’t know the shoulders on whom they stand,” Simmons told NNPA Newswire during the Chop House dinner.

“Some of these guys [founders] don’t even have bank accounts, but we have to consider, all of us have to consider, none of us would be here without them.”

Simmons insisted the Snoop Dogg “gets it.”

“He wants to be a part of this. That’s why I love him so much,” Simmons asserted. “Snoop has such a big heart; he cares about these guys.”

D.J. Hollywood, Nikki D, and Uptown Records co-founder Jimmy Luv sat near Simmons during the launch event and each toasted the Def Jam founder for his vision and desire to recognize the masterminds of hip-hop.

“I took the word, put it to wax, and everything else is history,” Hollywood proclaimed. “What people don’t know is what it took to ride this train. You had people rapping well before me, but nobody brought it to life before me with two turntables and a microphone.”

Added Nikki D, the first female hip-hop artist signed to Def Jam Records: “A lot of people don’t ever get their flowers. The NFTs bring forth the forefathers, and now a lot of people can see the shoulders that they stand on.”

Luv, who helped shape many legendary music careers, applauded Simmons. “The guy always gives back, and you can’t help but to appreciate that,” he said.

The Masterminds of Hip-Hop includes artists from the pre-recorded and early recording phases of the genre. Simmons said each NFT would be an exclusive collection featuring artwork and never-before-heard stories from hip-hop pioneers.

Public Enemy’s Chuck D., Doug E. Fresh, Big Daddy Kane, and others have signed as collaborators.

“It’s a celebration of hip-hop,” Simmons concluded.

“Hopefully, the NFTs will make a lot of money for these individuals, and hopefully it will set the record straight, and the young people in hip-hop will recognize these giants and give them their flowers while they are still here because a lot of [the pioneers] have checked out and never got their flowers.”

Arts

https://wschronicle.com/2021/08/editorial-russell-simmons-snoop-dogg-launch-masterminds-of-hip-hop-nft-collection/

Interesting NFTs
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
#76841
By OthersideDeployer
Everydays: The First 5000 Days
I made a picture from start to finish every single day from May 1st, 2007 - January 7th, 2021. This is every motherfucking one of those pictures.
Poem by Funya no Asayasu, court pages in boat trying to keep it steady in the wind as they harvest lotus leaves, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Funya no Asayasu, court pages in boat trying to keep it steady in the wind as they harvest lotus leaves, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan
Another Day In Paradise
Just as the book speaks to intelligence, the image in all its muteness speaks to the heart.