01/09/2021 Art Industry News: A 12-Year-Old Made Almost $400,000 Minting NFTs of Whales on His Summer Vacation + Other Stories

Plus, UCCA Shanghai is expanding to Chengdu, and Cindy Sherman made original art for a new George Jones and Tammy Wynette cover album.

Weird Whale NFTs, screenshot courtesy of Twitter.

Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Monday, August 30.

NEED-TO-READ

Frieze’s Next Big Swing – While most fairs poured money into digital during the onset of the pandemic, Frieze decided to invest in brick-and-mortar. The company is preparing to open its first year-round space on Cork Street in Mayfair, London, on October 7. Galleries can use the space for small events and pop-up exhibitions. The first round of dealers to set up shop there are James Cohan (New York), Commonwealth and Council (Los Angeles), and Proyectos Ultravioleta (Guatemala City). (Financial Times)

New York Fairs Prepare for Their Comeback – The executive director of New York’s Armory Show is expecting the unexpected ahead of the fair’s opening in less than two weeks. “We are putting on this event and have a Plan A, B, C, D and E,” Nicole Berry said. Big galleries are still planning to go—David Zwirner, Stephen Friedman, and Marianne Boesky are among those signed up to show their wares at the Javits Center beginning September 9. Meanwhile, some European collectors are considering a two-week stop in Mexico to bypass the current quarantine rules. Now that’s commitment. (New York Times)

Meet a 12-Year-Old NFT Mogul – Benyamin Ahmed made more money during his summer vacation than most professionals make in a year. The 12-year-old spent the break creating pixelated artworks called “Weird Whales” and then selling NFTs of the characters for a total of £290,000 ($399,156) to date. Ahmed’s father, a software developer, likened the whales to “digital Pokémon cards,” and praised buyers for recognizing the “historical significance” of his son’s work in a new medium. (Guardian)

Artists Remain Held in Cuba – Artists Hamlet Lavastida and Luis Manuel Otero Alcántara are among several individuals being held in maximum security prisons on unclear charges for several months in Cuba. Lavastida was jailed in June upon his return from a prestigious art residency in Berlin for messages sent in a group chat in which he suggested marking Cuban currency with acronyms for artist-led freedom movements 27N and MSI; the action never took place. (The Art Newspaper)

MOVERS & SHAKERS

UCCA Expands Even More – The UCCA Center for Contemporary Art is opening a fourth location, in Chengdu, in 2024. The art center debuted its third space in May, an outpost called UCCA Edge in Shanghai. (TAN)

Auction Highlights India’s Forgotten Masters – Previously overlooked 18th- and 19th-century artists who were commissioned by officials at the East India Company are the subject of a sale called “In an Indian Garden” at Sotheby’s on October 27. The 29 lots were once owned by the American art dealer Carlton Rochell. (Guardian)

Vaccinated Brits Can Now Travel to Italy – Great news for those who have been waiting to go to see the cultural wonders in Venice, Florence, or anywhere in Italy—quarantine measures will be dropped for fully vaccinated U.K. citizens or residents from next week. All that will be needed is a negative PCR or antigen test taken within 48 hours of travel. (Evening Standard

FOR ART’S SAKE

Cindy Sherman Designs an Album Cover – While we wait with baited breath to see the final album cover for Kanye West’s Donda, another new release merits art-world attention. Teddy Thompson and Jenni Muldaur, along with producer David Mansfield, have released an album of duets by George Jones and Tammy Wynette (Teddy & Jenny Do George & Tammy). The unbeatable album cover features Cindy Sherman cast in both roles. Muldaur and Sherman both have homes in Springs, New York. (Instagram)

 

Arts

https://news.artnet.com/art-world/art-industry-news-aug-30-2003781

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A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.
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