17/09/2021 This org wants to use NFTs for a new purpose: #MeToo activism

Storytelling platform Lioness is selling an NFT linked to an anonymous account that details allegations against spiritual leader Deepak Chopra.

This org wants to use NFTs for a new purpose: #MeToo activism

In March, a piece of digital art by graphic designer Beeple sold for $69 million at the auction house Christie’s. The sale was backed by an NFT, or nonfungible token, which secures ownership rights to artwork through a digital record of the transaction, much like how physical art changes hands. This year, the NFT craze has spawned sales in the hundreds of thousands to millions of dollars, be it for a New York Times story or Jack Dorsey’s first tweet or the Nyan Cat GIF.

For many NFT collectors, the objective is to help financially support artists and claim bragging rights for owning an original piece of digital art. But Ariella Steinhorn and Amber Scorah—who run the storytelling platform Lioness, which helps brings stories of workplace abuses to the media—saw an opportunity to capitalize on the enthusiasm for NFTs for a new purpose. “There was all these different ways that NFTs were being used and riffed on,” Scorah says. “And we noticed that no one had yet used them to bring attention to a social issue or to an individual story and kind of harness the power of the NFT for activism.”

Today, Lioness published an essay from an unnamed source detailing her experience seeking treatment in the late 1990s from wellness guru and alternative medicine practitioner Deepak Chopra, who she says allegedly pursued a sexual relationship with her while she was at the Chopra Center. Along with publishing the essay, Lioness has minted an NFT on the platform Foundation, using a diary page that the author wrote in 1998, back when the events she describes allegedly unfolded. 

In a cease and desist letter to Lioness, Chopra’s attorney vehemently denied the allegations and threatened legal action if they moved forward with publication. Chopra was not immediately available to comment for Fast Company. We will update this post when we hear back.

The diary had surfaced as Lioness vetted the author’s allegations. Steinhorn and Scorah felt the page offered both corroboration and a powerful reminder to readers that a real person was behind the allegations, despite her anonymity. “Here was the perfect visual artifact that illustrated exactly what this story was about,” Scorah says. “It was written by this young woman who was in her twenties at the time. It’s really raw, and it feels very authentic to the experience of a young woman who is confused and doesn’t understand exactly what she’s getting into, and is messed up about it.”

As a small firm, Lioness also had concerns about the potential legal repercussions of publishing an anonymous account with allegations against a deep-pocketed public figure like Chopra. (Lioness had courted several publications with the story, but they were unwilling to publish allegations from a single anonymous source.) To help protect both the author and Lioness, any proceeds from the sale of the NFT will be directed into a legal fund, for use in the event of a lawsuit or other legal action; bidding on the NFT will officially open next Thursday, September 23, at 1 p.m. ET. “We’re cementing it forever onto the blockchain,” Steinhorn says, “and in the process of doing that, hopefully, getting a bid that will allow us to continue this work.”

In some ways, Steinhorn says, this NFT is a spiritual successor to the one recently sold by model and writer Emily Ratajkowski, which was aptly titled “Buying Myself Back: A Model for Redistribution” and intended as a statement about who should profit from her image. (The NFT ended up selling for $175,000.) 

“It’s not a vanity project anymore,” Scorah says. “It’s not the artifact [or] object that is the goal. It’s actually a means of showing support, a means of trying to shift culture, a means of trying to hold powerful people accountable.”

Arts

https://www.fastcompany.com/90672406/leah-lamarr-clubhouse-hot-on-the-mic

Interesting NFTs
Cyber Vibes
More futuristic space shit. A recursive partitioning algorithm with a twist. Adjust the parameters by taking control of the layers.
Marinalandia
The aquatic world in a world to observe, to recreate, like the glacial landscapes. Both are a planet within ours, full of colors in the tropical case or minimalist in the glacier case, with strange species and wonderful animals each in its environment. This visual toy brings you a piece of that world in a fantastic setting.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
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