17/09/2021 This org wants to use NFTs for a new purpose: #MeToo activism

Storytelling platform Lioness is selling an NFT linked to an anonymous account that details allegations against spiritual leader Deepak Chopra.

This org wants to use NFTs for a new purpose: #MeToo activism

In March, a piece of digital art by graphic designer Beeple sold for $69 million at the auction house Christie’s. The sale was backed by an NFT, or nonfungible token, which secures ownership rights to artwork through a digital record of the transaction, much like how physical art changes hands. This year, the NFT craze has spawned sales in the hundreds of thousands to millions of dollars, be it for a New York Times story or Jack Dorsey’s first tweet or the Nyan Cat GIF.

For many NFT collectors, the objective is to help financially support artists and claim bragging rights for owning an original piece of digital art. But Ariella Steinhorn and Amber Scorah—who run the storytelling platform Lioness, which helps brings stories of workplace abuses to the media—saw an opportunity to capitalize on the enthusiasm for NFTs for a new purpose. “There was all these different ways that NFTs were being used and riffed on,” Scorah says. “And we noticed that no one had yet used them to bring attention to a social issue or to an individual story and kind of harness the power of the NFT for activism.”

Today, Lioness published an essay from an unnamed source detailing her experience seeking treatment in the late 1990s from wellness guru and alternative medicine practitioner Deepak Chopra, who she says allegedly pursued a sexual relationship with her while she was at the Chopra Center. Along with publishing the essay, Lioness has minted an NFT on the platform Foundation, using a diary page that the author wrote in 1998, back when the events she describes allegedly unfolded. 

In a cease and desist letter to Lioness, Chopra’s attorney vehemently denied the allegations and threatened legal action if they moved forward with publication. Chopra was not immediately available to comment for Fast Company. We will update this post when we hear back.

The diary had surfaced as Lioness vetted the author’s allegations. Steinhorn and Scorah felt the page offered both corroboration and a powerful reminder to readers that a real person was behind the allegations, despite her anonymity. “Here was the perfect visual artifact that illustrated exactly what this story was about,” Scorah says. “It was written by this young woman who was in her twenties at the time. It’s really raw, and it feels very authentic to the experience of a young woman who is confused and doesn’t understand exactly what she’s getting into, and is messed up about it.”

As a small firm, Lioness also had concerns about the potential legal repercussions of publishing an anonymous account with allegations against a deep-pocketed public figure like Chopra. (Lioness had courted several publications with the story, but they were unwilling to publish allegations from a single anonymous source.) To help protect both the author and Lioness, any proceeds from the sale of the NFT will be directed into a legal fund, for use in the event of a lawsuit or other legal action; bidding on the NFT will officially open next Thursday, September 23, at 1 p.m. ET. “We’re cementing it forever onto the blockchain,” Steinhorn says, “and in the process of doing that, hopefully, getting a bid that will allow us to continue this work.”

In some ways, Steinhorn says, this NFT is a spiritual successor to the one recently sold by model and writer Emily Ratajkowski, which was aptly titled “Buying Myself Back: A Model for Redistribution” and intended as a statement about who should profit from her image. (The NFT ended up selling for $175,000.) 

“It’s not a vanity project anymore,” Scorah says. “It’s not the artifact [or] object that is the goal. It’s actually a means of showing support, a means of trying to shift culture, a means of trying to hold powerful people accountable.”

Arts

https://www.fastcompany.com/90672406/leah-lamarr-clubhouse-hot-on-the-mic

Interesting NFTs
Punk #20
Inscription #437
Auto-Erotic Sphinx with Toys
In this image, a giant sphinx spoons itself in erotic play within an aquatic styled environment littered by various denizens. These creatures include symbols and archetypes both current and nostalgic–each inhabiting a rootedness within mass cultural adolescence. Among the roster are Servbots, video game inspired mushrooms, a Pacman-like creature, a distant sea faring rubber duck, creatures sporting the symbols reminiscent of popular anime, and a Pokemon-like rabbit (a novel incarnation of Ganesha indicated by the Shiva trident on its nose). In addition, a few sea creatures partly inspired by sea monsters of western antiquity conglomerate along the mid left side of the composition. The Sphinx itself is an amalgam of aquatic, fetishist, ancient Egyptian, and 80’s style adornments, both living, as in a clown fish, or material, such as a cassette tape. Nautically colored antennae receive somatic signals from the atmosphere, perhaps from the 8 Ball moon or giant ringed planet beyond.
trump 2020
This is a photo i took of my son playing around in one of our cat carriers, redressed to express the concern and damage the continuation of the trump administration could bring to the world in 2020 and beyond. Unlike the majority of my historic work found on opensea, all content was conceived and taken by me, so felt perfect to use as my first piece on Known Origin.
#65679
By OthersideDeployer
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.