27/09/2021 Why my new NFT is worth nearly $400 and other observations from a fascinating week in tech

Nigel Sussman TechCrunch Exchange Multicolor

Hello everyone! Disrupt was this week, which meant that I spent more time than usual with my feet up, watching panels and startup pitches. It was good fun, but also meant that I had fewer calls than I might in a more regular week. So, what follows is an abbreviated newsletter that is a touch more observational than reported, if you follow. Let’s have some fun!

Observation one: NFT speculation is good fun

Irecently dipped a single toe into the world of NFTs. After covering the space, it was time to participate in a very minor fashion as you can learn a lot more by doing than merely reading. Of course I try to avoid any and all possible ethical quandaries, but I don’t think that my owning two-figures’ worth of crypto so that I could attempt to purchase a low-cost JPEG will really upset the apple cart.

It all went to hell, but an NFT that a kind Twitter user sent me is racking up bids. While I have not derived much pleasure from the particular image that I now own the digital signature to on a particular blockchain more than, say, most other online images, it has been sporting to watch folks try to buy it off me.

Several bids worth hundreds of dollars have cropped up (the latest sitting at $382.94), which made me sit back and wonder who really wants my image. I presume that I’m seeing speculation over value collection in the offers, but I do now better understand why NFT fans are stoked by their cottage industry. After all, who doesn’t want to magically generate real-world value from an image that, until recently, would have had essentially zero value? It feels like cheating. (To be clear, I am not selling my NFT as I don’t want to bother with the taxes, and itdoesseem like selling it for profit would generate some sort of ethics issue. So I guess I will hodl? Forever?)

Observation two: This is a great moment for fintech IPOs

Thescalding public-market reception for Boston-based fintech unicorn Toastthis week showed the world that it is possible to get software-like valuations for payments revenues, provided a sufficiently quick growth rate. Our read was that the warmth with which Toast was welcomed to the stock market indicated that it’s a great time for fintech unicorns to get off their collective duffs and go public.

I stand by that. But what I had perhaps missed was just how much value is sitting by the sidelines. Not in terms of valuation — we already know those numbers — but in terms of user numbers. Observe the following tweet:

I wouldn’t have guessed that Chime was in fifth place, but those figures imply simply huge payment flows which, as we have recently seen, are currently valued like rivers of gold. So NuBank and Chime and Dave and others, let’s do this thing? Please?

Observation three: Chinese tech is increasingly toxic

News this week broke thatthe Zoom-Five9 deal could be in for regulatory issuesover the acquiring company’s Chinese roots. If Zoom having R&D operations in China means that it’s megabuy of Five9 goes poof, it would be an indicator not only of increasing distance between the two globally leading economies, but also a door-closing moment on a possible source of tech liquidity.

Also this week Lithuania warned that hardware from Chinese smartphone giant Xiaomi is able to detect and block certain terms that China’s government likes to censor. Now, maybe that’s just how Xiaomi makes all its phones, but it’s not agreatlook. The country has “told its civil servants to jettison their Chinese-made smartphones after experts found they contained automatic censorship software and other security flaws,”The Times reported.

Arts

https://techcrunch.com/2021/09/25/2208197/

Interesting NFTs
Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Big Mac Rubik's Cube
McDonald's China
Bloody Monkey
Artist notes: straight up side ya head + VERY valuable RED CIRCLE!! WOW.!!
Chromie Squiggle #4697
Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market.