15/12/2021 NFT Marketplace Rarible Launches Integration With Tezos

Non-fungible token (NFT) marketplace Rarible has launched its integration with energy-efficient, proof-of-stake blockchain Tezos after announcing the plan last month. Tezos is also the blockchain being used by video game giant Ubisoft for its recent entry into the NFT space.

Rarible’s integration with Tezos marks Rarible’s third supported blockchain, following Ethereum and Flow. Under the strategic collaboration, Rarible will feature Tezos NFTs on its marketplace and support secondary sales of projects that live in the Tezos ecosystem.

Rarible will also immediately support secondary sales from Ubisoft’s Digits, which are in-game collectibles with active utility value for players. Ubisoft’s recent entry into the NFT spaceearned mixed reviewsfrom gamers, but Rarible co-founder and product head Alex Salnikov sees the move as a natural step.

“It’s quite clear that blockchain gaming is the next big thing,” Salnikov told CoinDesk in an interview. He said the gaming shift is two-sided: the continued improvement of blockchain-native games and the AAA game studios moving toward the blockchain.

“So [the Ubisoft news] is completely expected. And we will see more of that in the race of who will be there first,” said Salnikov.

Rarible and Tezos will also launch an inaugural NFT collection called Blazing Futures that features works from 10 Tezos-based artists. The collection is available exclusively on Rarible starting today.

Arts

https://uk.sports.yahoo.com/news/nft-marketplace-rarible-launches-integration-110000973.html?guccounter=1

Interesting NFTs
Punk #60
Inscription #585
The Pixel
The Pixel is a single pixel statement. It is created to validate. The Pixel is a digitally native artwork visually represented by a single pixel (1x1). It is a token that signs the most basic unit of a digital image in a traditional global auction house. It is a tiny mark to carry digitally native art to a potential future history.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
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