08/04/2022 Kevin Smith to Issue ‘Comedy-Horror’ Film as NFTs on Secret Network

Quentin Tarantino, another filmmaker, released his “Pulp Fiction” NFTs on the same Cosmos-based blockchain in November.

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Kevin Smith (Tommaso Boddi/Getty Images)

Kevin Smith, the filmmaker responsible for cult classics like “Clerks,” “Chasing Amy” and “Jay and Silent Bob Strike Back,” announced Wednesday that he will be releasing his latest movie, “KillRoy Was Here,” as a collection ofnon-fungible tokens(NFTs).

Smith is tapping the Cosmos blockchain-basedSecret Networkfor the launch, the same network that hosted Quentin Tarantino’s controversial”Pulp Fiction” NFTsin November. While NFT plans for “KillRoy” have beendiscussedfor about a year, its details are just now coming to light. A release date is slated for some time in the second quarter.

As with the Tarantino collection, Smith’s collectibles will rely on Secret Network’s “secret” sauce: That is making the content of the tokens, which includesthe “comedy-horror” filmitself along with bonus behind-the-scenes footage, viewable only to NFT holders.

“Everyone, especially people with fame, are using NFTs as a new way to make money,” Smith told CoinDesk in an interview. “But to me, it's a whole new creative playground. It reminds me of the YouTube revolution, where kids were able to create stuff in a whole new way. I missed it then, but I won’t miss it again.”

Each NFT in the collection of 5,555 will come with its own generative artwork, each a different twist on the film’s main character. Smith’s plan is for holders to use the characters to create content of their own and then feature the best creations as the film’s sequel.

Smith's personal interest in NFTs dates back to lastApril, when he made his NFT debut with “Smokin’ Tokens,” a collection based on his beloved “Jay and Silent Bob” characters. He said playing around with the new medium reminds him a lot of the indie film scene in the 1990s, which was defined by creativity and experimentation.

“My dream is for 'KillRoy' to be its own self-thriving franchise within the world of crypto and NFTs, without ever having to step outside of the blockchain,” Smith told CoinDesk.

Unlike how Tarantino's drop occurred, Secret Network will release the collection throughLegendao, an NFT launchpad involving partners Semkhor and Curio.

While the non-fungible film market has actually been burgeoning in recent months, Secret Network’s unique model has yet to be recreated by competitors, which have used NFTs mainlyfor fundingortoken-gated accessto content, not embedding the content in the NFTs themselves.

“I’ll put it very bluntly, I don't understand what the point of token-gating is,” Guy Zyskind, founder of Secret Network, told CoinDesk in an interview. “That’s pay-per-view, not NFTs. At the end of the day, if your NFT is just access to some centralized server, why not just do a login and password?”

At some point after the collection’s launch, Smith and Secret Network plan to distribute the film more widely, though no details have been decided on.

Holders will still remain a key component of the film’s community, Smith said, especially for the aforementioned sequel.

Arts

https://www.coindesk.com/business/2022/04/06/kevin-smith-to-issue-comedy-horror-film-as-nfts-on-secret-network/

Interesting NFTs
Stay Free (Edward Snowden, 2021)
This unique, signed work combines the entirety of a landmark court decision ruling the National Security Agency's mass surveillance violated the law, with the iconic portrait of the whistleblower by Platon (used with permission). It is the only known NFT produced by Snowden. Produced using open source software. This auction is on behalf of Freedom of the Press Foundation. https://www.aclu.org/press-releases/appeals-court-strikes-down-nsa-phone-spying-program-aclu-lawsuit
#78483
By OthersideDeployer
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
Blindfold
I sure hope this is see-through. Otherwise someone is going to have a bad time in the dungeon.
Christmas Sleigh
First Christmas-themed Visual Toy. For this work the artist has created a fantastic sleigh, ornamented in detail and with all the Christmas spirit that transports us to childhood, illusion, innocence. With its gift wrapping machinery, its Santa, a snow globe, the nutcracker, the European-style village and its soundtrack (first time with music) it is a whole Christmas mosaic for the imagination.