10/06/2022 REVA holds offline NFT crypto art exhibition

// -- Kansas City, MO, June 09, 2022 (GLOBE NEWSWIRE) -- On May 30th, REVA, a well-known digital art collection service platform, organized a large-scale offline NFT crypto art exhibition at its headquarters in San Francisco. This exhibition invited some local digital artists, digital collectors and financial investors to participate. Through the discussion of NFT crypto art, REVA tries to explore new artistic possibilities. It is reported that REVA organized this activity to promote the newly released NFT pledge deposit auction business and discuss cooperation matters with investors.

This is not the first time REVA has organized offline NFT digital collection activities. REVA is a comprehensive trading platform that focuses on the collection and auction of high-end NFT artworks. At the beginning of its establishment in Silicon Valley in 2019, it focused on the research and development of blockchain technology, while focusing on the research and development and exploration of emerging technologies. REVA has targeted its strategy at NFT's high-end digital collections, and has organized exhibitions and auctions of crypto digital collections in new york, San Francisco and London for many times. REVA's pledge deposit auction business has established a broad circulation pool and valuation system. Its purpose is to solve the pain points of poor liquidity, difficult valuation and slow realization in NFT field.

NFT stands for Non-Fungible Token, which is a kind of non-homogeneous token with a secure and unchangeable crypto digital rights certificate. It is a unique cloud property right and fidelity certificate. NFT Crypto Art is the digital art and digital art platform formed by this technology and tokens.

Based on this characteristic of NFT collection, REVA has established a multi-chain comprehensive NFT trading platform. In the 1.0 era, users can collect NFT artworks on the platform. The pledge auction business increases the financial attributes of NFT. Users can trade and pledge their NFT on the platform, or entrust the platform to auction. Besides the pledge market and online auction business, REVA will soon launch the NFT creation and distribution function section, providing users with one-click casting technology of NFT, ensuring that users can easily and conveniently create and issue NFT assets, which can be regarded as a perfection of NFT2.0 stage.

REVA's technical team gathered the best technical experts in various fields such as computer, information security, communication, mathematics, finance, web development and high-frequency algorithm trading, which provided the platform with safe and stable technical support. In addition, REVA has also built an authoritative financial team in many fields, including digital art appreciation experts, blockchain technology experts, NFT technology experts, financial analysis experts, Viking top financiers, senior auctioneers of UK EARL INTERNATIONAL AUCTION LTD, artists, etc., to provide reliable valuation and security for users' transactions.

In a sense, NFT technology is no longer as simple as the game of capital and the password of wealth. Many speculators see it as the next golden opportunity. But REVA thinks this is a new change that really relates to the boundaries of brain and finance.

http://www.revameta.com/
https://twitter.com/revanfts

Arts

https://www.einnews.com/pr_news/576095361/reva-holds-offline-nft-crypto-art-exhibition

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The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
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