15/06/2022 Bill Gates says crypto and NFTs are ’100% based on greater fool theory’

Bill Gatesis not a fan of cryptocurrencies or non-fungible tokens.

Speaking at aTechCrunch talkon climate change Tuesday, the billionaireMicrosoftco-founder described the phenomenon as something that’s “100% based on greater fool theory,” referring to the idea that overvalued assets will go up in price when there are enough investors willing to pay more for them.

Gates joked that “expensive digital images of monkeys” would “improve the world immensely,” referring to the much-hyped Bored Ape Yacht Club NFT collection.

NFTs are tokens that can’t be exchanged for one another. They’reoften touted as a way to prove ownership of digital assets like art or sports collectibles. But critics see them asoverhypedand potentially harmful to the environment given the power-hungry nature of cryptocurrencies. Many NFTs are built on the network behindethereum, the second-biggest token.

“I’m used to asset classes ... like a farm where they have output, or like a company where they make products,” Gates said.

As for crypto, “I’m not involved in that,” Gates added. “I’m not long or short any of those things.”

Cryptocurrencies tumbled sharply this week after Celsius, a crypto lending firm,paused all account withdrawals. The debacle has fueled fears of a looming insolvency event for Celsius — andpossible knock-on effectsfor other parts of the crypto market. For its part, Celsius says it’s “working around the clock for our community.”

The battered crypto world was already licking its wounds following the collapse of UST — a so-called “stablecoin” that was meant to be worth $1 — and luna, its sister token. At their height, both cryptocurrencies were worth a combined $60 billion.

Bitcoinwas last trading at $21,107 Wednesday, down 7% in the last 24 hours. The world’s biggest cryptocurrency has erased over half of its value since the start of 2022.

Arts

https://www.cnbc.com/2022/06/15/bill-gates-says-crypto-and-nfts-are-based-on-greater-fool-theory.html

Interesting NFTs
Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.
#68903
By OthersideDeployer
CryptoKitties
Ciao! I'm Kitty #379459. I'm often referred to as the Steve Urkel of the group. I once pranced with a rabbit. I don't like to talk about it. I hope we can be petulant friends.
EYE-ROLLA #16/25
ROLLIN EYES