21/06/2022 Frogs Over Fiat Bitcoin NFT Art Gallery Opens Tomorrow In Manhattan, NY

The Frogs > Fiat art gallery for bitcoin NFTs opens tomorrow in lower Manhattan, NY and will have many prominent artists and collectors in attendance.

Frogs Over Fiat Bitcoin NFT Art Gallery Opens Tomorrow In Manhattan, NY
  • The Frogs Over Fiat art gallery in New York featuring Bitcoin NFTs opens tomorrow at 11 a.m ET in lower Manhattan.
  • The art gallery will feature the Fake Rares and Fake Commons Rare collections of Rare Pepe art with many notable artists and collectors attending.
  • Rare Pepes created a trading frenzy in 2016-17, inspiring these art collections with pieces selling as high as $250,000 from a Wu Tang Clan member.

The Frogs>Fiat art gallery in lower Manhattan, NY – featuring bitcoin-only non-fungible tokens (NFTs)–opens tomorrow and runs through Thursday. The gallery will feature prominent artists like Ghostface Killah from the hip-hop group, Wu Tang Clan.

The gallery will host over 25 original pieces from the Fake Rares and Fake Commons bitcoin art collections and attendees of the gallery will be able to mint NFTs on demand with the only BTC NFT ATM, which will give physical art pieces for free.

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Some of the largest collectors in the ecosystem have been attracted to the Fake Rares art collection, and Ghostface, along with Rare Scilla, currently have the highest priced piece which sold for $250,000 last fall. Well over 100 artists have contributed over 500 original works of art worth over 200 BTC valued around $4 million to this collection.

The Fake Rares collections catalyzed the current wave of NFTs being built on BTC and XCP by modeling the originalRare Pepetrading frenzy from 2016-2017. This collection was also the first to bring MP4 files and music to bitcoin – like that of Ghostface Killah – throughCounterparty’stokenXCP. While most are conceptually aware of NFTs being built on BTC, the mention of XCP might be a new concept.

In short, XCP is a way to tokenize information through a layer two application by embedding data into bitcoin transactions. XCP is not a sidechain, nor is it a competitor chain. It cannot exist without the Bitcoin protocol or BTC as its primary asset.

The gallery opens from 11 a.m ET each day to late night at 80 W Broadway, Manhattan NY and will be running next-door to Scare City’s PEPE is ART gallery which will feature Rare Pepe grails and other modern Pepe creations. This event was planned in conjunction with the Fake Basel art gallery which ran from June 15-19 in Basel, Switzerland which also featured digital and physical Pepe art.

Arts

https://bitcoinmagazine.com/business/frogs-over-fiat-bitcoin-nft-art-gallery-in-new-york

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Playtime At Le Mans
Playtime At Le Mans | From [The Room] series A creation which focuses on minimalism and the beautiful characteristics of the famous Le Mans Porsche 917K. Do you prefer the relaxed day cycle of the Gulf Blue... or the more engaging and exciting Gulf Orange. What mood are you in? Will you win over your imagination. The cycle of time lives on...
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The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?