22/07/2022 Final Fantasy NFTs Coming to Polkadot in Square Enix, Enjin Alliance

Enjin’s Polkadot-based Efinity platform will power NFT collectibles and more for the smash role-playing video game franchise.


Square Enix is the publisher of the smash hit Final Fantasy series. Image: Square Enix
Square Enix is the publisher of the smash hit Final Fantasy series. Image: Square Enix

One of the most successful video game series of all time is set to receive theNFTtreatment in 2023, as Japanese publisher Square Enix has partnered with blockchain gaming firm Enjin to release NFTs based on the Final Fantasy franchise.

The NFTs won’t be purely digital products, however. They’re tied to physical action figures and trading cards based on the smash role-playing game (RPG) Final Fantasy VII to commemorate the original PlayStation game’s 25th anniversary.

Square Enix will first release packs of physical trading cards in spring 2023 that will sell for $4 per six-card pack. Each comes with a code to redeem for a single NFT trading card minted by Enjin on its Efinity platform, which is built on thePolkadotblockchain.

In November 2023, the publisher will release a limited edition action figure of the game’s star, Cloud Strife. Both the standard figure and “Digital Plus Edition” will come with a code to redeem an NFT certificate of authenticity, but only the latter comes with an additional NFT: a digital replica of the physical toy. The standard figure will sell for $130, with the Digital Plus Edition at $160.

The Efinity blockchain runs on Polkadot as a parachain, or a dedicated subnet of sorts, that’s part of the overall Polkadot ecosystem. Polkadot uses a proof-of-stake consensus model that does not require energy-intensive mining, unlike the leading NFT platform,Ethereum.

Enjin CTO Witek Radomski toldDecryptthat the firm first worked with Square Enix several years ago, hosting websites for online guilds that play Final Fantasy XIV.

However, this new partnership comes amid growing interest in blockchain tech and NFTs for Square Enix. Final Fantasy—which has sold 168 million games worldwide since 1987, per the company—is its crown jewel.

“They were looking at all kinds of blockchains, testing them out,” said Radomski. He added that Square Enix sought a platform that could “meet the needs of gamers,” including considerations like low transaction costs and energy efficiency.

An NFT is a blockchain token that works like a proof of ownership for an item, including both digital and physical goods. NFTs are often used for things like digital artwork, profile pictures, collectibles, and interactive video game items, and the NFT marketsurged to $25 billionworth of trading volume in 2021 alone.

Square Enix has ramped up its blockchain and NFTs endeavors over the last couple years. Itinvested in the Ethereum-based metaverse gameThe Sandbox in 2020, and earlier this year announced plans tobring its Dungeon Siege franchiseto the NFT-powered game world.

Final Fantasy Maker Square Enix Backs Bitcoin Gaming Startup Zebedee in $35M Round

While a lot of crypto gaming activity is taking place in the Ethereum and Solana ecosystems, Zebedee has consistently banged the drum for Bitcoin over the last couple years.

The firm also released NFT collectibles in Japan last year based on its Million Arthur game series, using theLINE blockchain platform. Earlier this year, Square Enix presidentwrote positively of the potential benefitsof NFTs and tokenized economies, noting interest in “play-to-contribute” experiences in which players benefit financially from a game’s growing success.

More recently, Square Enix sold off a slate of major franchises (including Tomb Raider) and three of its game studiosfor $300 million, in part to finance its growing crypto industry endeavors. Just yesterday, Square Enix was announced asan investor in Bitcoin gaming startup Zebedee, which raised a $35 million Series B round.

Radomski said that Square Enix has been “very measured” in its approach to the NFT initiative with Enjin, seeking to streamline the process for gamers who may be encountering NFTs for the first time. “That lets us adapt our products even more,” he toldDecrypt. “It’s been amazing.”

Enjin’s evolution

Enjin, which has also partneredwith MicrosoftandSamsung, is arguably best known for its work in the Ethereum ecosystem. Enjin Coin (ENJ) is an ERC-20 token, and Radomski authored Ethereum’s ERC-1155 multi-token NFT standard. But the firm gradually saw that Ethereum’s low transaction throughput and surging fees would limit game developers.

“Back in 2018, I realized that Ethereum was going to have some limits at some point, even though the fees back then were like a penny,” he said. “We can't run millions of transactions. We can't run thousands of games on Ethereum because it'll just be too much.”

Radomski said that Enjin explored the potential of scaling solutions that could be ideal for gaming and collectibles, but ultimately decided that it didn’t want to build something from scratch. Instead, the team opted to build Efinity on Polkadot, which he said was alluring as a “framework for blockchains” that lets builders customize as they see fit.

“Everything that we’re launching now [on Efinity] is like a gen-two of everything we’ve built,” he explained.

Along with shifting to Polkadot, Radomski said that Enjin is changing the way that it operates. Instead of a software-as-a-service (SaaS) style model in which Enjin hosts content in partnership with game developers, the firm is letting creators use the open Efinity platform to deploy their own infrastructure and build NFT-powered games.

“That’s been the dream for the last five years,” he said, “and now it’s finally coming out.”

Efinity lives on a Polkadot parachain, but Enjin plans to expand cross-chain functionality and bridge to other blockchains. Bridging to Ethereum is on the horizon, Radomski said—so these Final Fantasy NFTs could be transferable to Ethereum by the time they launch. Other blockchains that support the Ethereum Virtual Machine (EVM) may also be added.

NFT gaming growth

Radomski thinks it’s only beneficial for NFT gaming to see major publishers like Square Enix andUbisoft playing in the space. These Final Fantasy NFTs aren’t designed to be used within any game, but Square Enix haspreviously signaled interestin creating NFT-powered games with tokenized economies.

Such publishers are building on the backs of indie creators that have experimented with blockchain technology in recent years for NFT-powered games, sometimes with enormous success—as in the case of the Ethereum-powered play-to-earn game,Axie Infinity.

However, NFTs have alsodrawn the ire of vocal gamers, in part due to the environmental impact of some platforms, as well as scams and rampant speculation. For some gamers, the issue is also that some NFT-powered games are focused on earning tokens, rather than having fun. That’s a perception that veteran game developers can potentially help shift.

“Gamers have to be shown that developers want to use these things responsibly in interesting ways to enhance gameplay,” Radomski said, “not just as a monetization mechanism.”

Enjin has been in conversations with “various AAA," or major, publishers of late, he added. Such studios not only have experience building polished games for the masses, but they’re also well capitalized. They don’t need to sell NFTs simply to fund game development. That could potentially lead to stronger games that utilize blockchain tech for new kinds of experiences.

“It's going to take another year or two to see more of these games coming out that use NFTs in interesting ways,” he said. “But it's happening—people are thinking about this. I think the AAA [publishers] are going to show some innovation. They have the budget to actually be able to explore these interesting new concepts for NFTs.”

Arts

https://decrypt.co/105592/final-fantasy-nfts-coming-to-polkadot-in-square-enix-enjin-alliance

Interesting NFTs
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
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By OthersideDeployer
The Switch
The Switch is a unique, “one of one” NFT that demonstrates the evolution of artwork in the digital realm. The Switch is developed to change form at a specific point of time in the future, known by Pak. The evolution is determined and rendered immutable by smart contracts, or self-executing code on the Ethereum blockchain.
KatKhan
Hey cutie! I'm KatKhan. All you need to know about me is I hate cantaloupe with a passion. I'm convinced that that one day cats will rule this planet. One day I'll prove it. I hope we can be gullible friends.