01/07/2021 New York City photographer exhibits NFT at Superchief Gallery

Savannah Spirit with her piece "A.I. Love".

Visual artist/curator Savannah Spirit has been there and done that, but until recently there were two things that she could not claim: producing an NFT and exhibiting in the ‘Every Woman Biennial’, currently at the Superchief Gallery NFT. 

“I just dropped my “genesis piece!” she exclaims, using the favored reference for a first time with “Non-Fungible Token,” a digital artwork that we would explain further if we had the space (luckily, you can Google it). Spirit was thrilled that it landed in an exhibition as special as the EWB, a group effort that EWB Managing Director Molly Caldwell calls ” an egalitarian show for women and non-binary artists. We are an all-volunteer organization that believes in women helping women,  sharing the love and helping artists to share their art.”

Founded in 2014 by artist C. Finley as the “Whitney Houston Biennial” – a reaction to the Whitney Museum’s lack of female presence in its biennial show – the show has become a celebration of non-male art and the latest edition had an opening that was kicked off in high style by a “flash mob” dance party in Washington Square Park, a few blocks away from the gallery. Under the direction of choreographer Natalie Lomonte, nine dancers ( including Lomonte ) with varying backgrounds — broadway, flamenco, opera, music video, etc. —  had a blast performing their routine alongside (and on) the edge of the fountain to Ms. Houston’s classic “My Love is Your Love.” It turned into a free-form dance party with tunes such as “I’m Every Woman” and “Dancing Queen” inspiring the sizable crowd to let loose.

“It was our gift to the city,” explained Lomonte. “We wanted to share the love and joy.” 

The “Divine Dance Party,” as she called it, continued out of the park and up Fifth Avenue to the gallery on East 11th St., where the show featured the work of 300 artists rotating on backlit screens in a dark room with accompanying QR scans to provide artist info. 

Ed Zipco, director and co-founder of the Superchief Gallery, is “incredibly proud to bring hundreds of female-identifying artists of all ages to the NFT space.” (The age range of the artists is 19 – 93 years old.) He said that he wants to “truly thank EWB for doing the important work of bringing this community together again and trusting us with their vision.”  

More than just a chance for artists to show their work, the NFT  end of things has been a learning experience for both the contributors and the organizers. 

“It was new to me,” Caldwell admitted, “but now I know a lot more about it. Many of the artists, at first, didn’t understand the NFT and had a lot of technical questions. We taught them how to mint their work and the artists have been grateful to learn the process of a new art form.”

Spirit’s piece “A.I. Love,” which comments on the nature of dating after the pandemic, began its gestation a few years ago but she reveals that she “didn’t know what I was creating it for.” After being chosen from an open call to participate in the EWB, Spirit revisited the raw work and brought it up to date to its current state.

Her learning curve also brought the knowledge that “NFT’s have been dominated by men. This is the first huge collection of NFT’s by women and non-binary artists. It’s groundbreaking in that way and there’s some amazingly strong work in the show.”

Despite some technical difficulties – which have since been remedied – Caldwell loved the opening night. “It was such a joyous celebration of art and artists,” she said. “And we are so happy to have facilitated that.”

Every Woman Biennial info:  http://2021.everywomanbiennial.com/

Gallery info:  http://www.superchiefgallerynft.com/

Art talk in the Superchief Gallery NFT. (Photo by Bob Krasner)
Opening night of the Every Woman Biennial at the Superchief Gallery NFT. (Photo by Bob Krasner)
L_R: Molly Caldwell – managing director , Jerelyn Huber – NYC Producer, C. Finley – Founder/Curator , Kim Schwann (Photo by Bob Krasner)
Natalie Lomonte, choreographer, with her crew. (Photo by Bob Krasner)
Jerelyn Huber – NYC Producer, crossing Fifth Avenue. (Photo by Bob Krasner)
C. Finley, Founder, Curator and keeper of the megaphone, leads the crew up Fifth Avenue. (Photo by Bob Krasner)
Natalie Lomonte, choreographer (right) celebrating by the fountain. (Photo by Bob Krasner)
Hands and confetti up in Washington Square Park, with East Village artiste Phoebe Legere in the middle of it all. (Photo by Bob Krasner)
Kicking offf the “Divine Dance Party” in Washington Square Park. (Photo by Bob Krasner)


Interesting NFTs
Things are not always as they seem. Living in poverty is like serving a sentence in a prison with invisible bars. The keys are in plain sight, yet impossible to reach. Screen time captivates us with its addictive dopamine triggers, plucking at our attention span until we are no longer aware of the present... What if both worlds collide? Hand-rendered acrylics on bristol board scanned and converted into a digital image.
Artist notes: the halving ceremony is the most unusual part of modern bitcoin production in which the owners bet on how efficiently an alpha can inseminate the market.
Everydays: The First 5000 Days
I made a picture from start to finish every single day from May 1st, 2007 - January 7th, 2021. This is every motherfucking one of those pictures.
By OthersideDeployer
Mars House
Mars House is the first NFT digital house in the world. Upon purchase of Mars House NFT, 3D files will be sent to the new owner by Krista Kim Studio Inc. for file upload to the owner’s Metaverse. Technical support for Mars House integration on Metaverse is provided. (Architectural Digest, March 14, 2021) “Kim ventured into NFTs while exploring meditative design during quarantine; her hope was to use the influx of digital life as an opportunity to promote wellbeing. Comprised entirely of light, the visual effects of her crypto-home are meant to omit a zen, healing atmosphere. The artist also partnered with musician Jeff Schroeder of The Smashing Pumpkins to create a calming musical accompaniment. So what makes the file a compelling purchase? Beyond the promise of buying into the lucrative NFT market, the home and all of the furniture in it can be built in real life by glass furniture-makers in Italy, as well as through MicroLED screen technology. Kim also has a strong visions the art being projected, as well. “Everyone should install an LED wall in their house for NFT art.” says the artist. “ This is the future, and Mars House demonstrates the beauty of that possibility.” The owner is in agreement to the following terms and conditions upon purchase of Mars House (hereby referred to as Mars House NFT): The collector agrees to own one copy of Mars House NFT on a single Metaverse platform. The collector is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio Inc. will provide technical support to upload and integrate Mars House NFT on a Metaverse platform. If/when Mars House is resold, the collector is required to delete all Mars House NFT 3D file(s) from his/her Metaverse, and provide verification of deletion to Krista Kim Studio Inc. before new 3D files are transferred to the new owner by the artist. The new owner is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio will send Mars House NFT 3D files directly to the new owner and provide support for Metaverse integration. This verified ownership transfer system will be appointed to Krista Kim Studio Inc. trusteeship, after 40 years of the date of the sale. Krista Kim Studio Inc. retains ownership of Mars House NFT copyright. All rights reserved. All reproductions of Mars House (NFT) in both digital and physical formats, are restricted. Mars House NFT physical furniture pieces, made of tempered printed glass in Italy, may be commissioned by the collector as NFT physical pieces.