23/09/2022 Crypto downturn makes NFT artists get creative

NFT artists who can no longer count on a frothy crypto market to buoy sales aren't giving up, but they're having to lower their financial expectations and get more creative.

Why it matters:Artists have struggled to pay the bills since time eternal, and whenNFT mania struck last year, many hoped the tech would provide a lasting solution.

Catch up quick:NFTs are digital records of ownership existing on a blockchain — commonly, the Ethereum blockchain. Artists can "mint" their work as an NFT, then sell the digital ownership rights to collectors.

State of play:Thevalue of most NFTs is closely tied to the overall crypto market, which has been in full retreat this year.

  • A single ether coin, for example, is now worth about $1,300, down from a peak of nearly $5,000 in November 2021.
  • The number of daily transactions on OpenSea, one popular NFT platform, is down to around 60,000, compared to a high of nearly 225,000 this past April.

Between the lines:The NFT market, experts say, was flooded with content of varying quality, creating a glut that forced prices down. There were also more people creating NFTs than buying them.

Yes, but:Even though the hype has dwindled, there's still an active community of people buying and selling all sorts of NFTs, says Lynnette Blanche, co-founder of Desire Path, a digital community for NFT-curious photographers.

  • "There's still a lot of activity that's happening with smaller artists and communities that, if anything, I feel like is consistent with the amount of selling and creating that was happening at the beginning," Blanche told Axios
  • "I just think there isn't as much of this hype that was really prominent on Twitter in the early days, with quarantine and COVID when people were home and had less things to do."

For Noah Kalina,a photographer in New York's Catskills who was relatively early to the NFT world, the phenomenon has shifted from something that could pay the bills to another revenue stream alongside his other work.

  • "In many ways, the NFT market has just become part of life, like anything else," Kalina told Axios.

Commercial and fine art photographerPete Halvorsen has been using the bear market to prepare for what many in the NFT world hope will be an eventual rebound.

  • "I've used this opportunity to start to become more multi-discipline with taking my images, and now I'm working on how else I can present the images — whether it's utilizing some [generative art] aspects to display them to even incorporating some AI into my images," he says, referencing increasingly popularartificial intelligence-based art-making tools.

The big picture:All of those in the NFT world who spoke to Axios for this story agreed that despite the financial pains, the community was better off now that those who were only in it for a quick cash grab have departed.

  • "It's gotten tighter because misery loves company, and people love to be like, 'Hey, man, I'm down bad — let's talk about this,'" says Halvorsen.

Plus, as San Francisco ChroniclephotojournalistScott Strazzante told Axios, artists can still find some financial success selling NFTs — provided they're already big names or get invited to sell their work along with other creators in high-profile collections.

Be smart:Lots of artists criticized NFTs because of cryptocurrencies'energy consumption.

  • However, Ethereum recently underwent"the merge,"a behind-the-scenes structural reboot that dramatically reduced its power use — a change that could draw in more creators if there's another bull market.

What's next:Artists in the NFT space are holding out hope that the glory days will return. But many are realistic about that possibility while celebrating the still-lively community.

  • "There was always, in the back of my head, 'Well, I'm going to flip these and make some money,' and 'This is going to be something — I can quit my job eventually,'" says Strazzante of his NFT collection. "Those dreams are definitely over by now."
  • "But the NFT space in general is just as fantastic," he adds. "There's still a community of people who get together on Twitter Spaces and talk about photography, and I see the work of so many photographers I never knew existed."
Arts

https://www.axios.com/2022/09/23/nft-artists

Interesting NFTs
Hell Riders
A still image NFT. Exclusive to makersplace. February 2020.
Mars House
Mars House is the first NFT digital house in the world. Upon purchase of Mars House NFT, 3D files will be sent to the new owner by Krista Kim Studio Inc. for file upload to the owner’s Metaverse. Technical support for Mars House integration on Metaverse is provided. (Architectural Digest, March 14, 2021) “Kim ventured into NFTs while exploring meditative design during quarantine; her hope was to use the influx of digital life as an opportunity to promote wellbeing. Comprised entirely of light, the visual effects of her crypto-home are meant to omit a zen, healing atmosphere. The artist also partnered with musician Jeff Schroeder of The Smashing Pumpkins to create a calming musical accompaniment. So what makes the file a compelling purchase? Beyond the promise of buying into the lucrative NFT market, the home and all of the furniture in it can be built in real life by glass furniture-makers in Italy, as well as through MicroLED screen technology. Kim also has a strong visions the art being projected, as well. “Everyone should install an LED wall in their house for NFT art.” says the artist. “ This is the future, and Mars House demonstrates the beauty of that possibility.” The owner is in agreement to the following terms and conditions upon purchase of Mars House (hereby referred to as Mars House NFT): The collector agrees to own one copy of Mars House NFT on a single Metaverse platform. The collector is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio Inc. will provide technical support to upload and integrate Mars House NFT on a Metaverse platform. If/when Mars House is resold, the collector is required to delete all Mars House NFT 3D file(s) from his/her Metaverse, and provide verification of deletion to Krista Kim Studio Inc. before new 3D files are transferred to the new owner by the artist. The new owner is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio will send Mars House NFT 3D files directly to the new owner and provide support for Metaverse integration. This verified ownership transfer system will be appointed to Krista Kim Studio Inc. trusteeship, after 40 years of the date of the sale. Krista Kim Studio Inc. retains ownership of Mars House NFT copyright. All rights reserved. All reproductions of Mars House (NFT) in both digital and physical formats, are restricted. Mars House NFT physical furniture pieces, made of tempered printed glass in Italy, may be commissioned by the collector as NFT physical pieces.
= G E I S H A =
"Japanese Geisha", from the Oriental Series, a collaboration produced by Wennifer Chia-Wei Hsu in Bangkok, Thailand. Model: PrincessMinny Csp MUA: Wennifer Chia-Wei Hsu MUA Assistant: Traiphop Tongsuk Hair Stylist: Tanon Tanabhataravaratorn, Jean Dara Location: Elite Photoart Studio
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By OthersideDeployer
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?