31/10/2022 This week in the metaverse: Save your NFTs from disappearing, Microsoft squanders an early advantage, and Meta is hemorrhaging money

Club NFT team
ClubNFT CEO Jason Bailey.
MATTHEW J. LEE—THE BOSTON GLOBE/GETTY IMAGES

Welcome to “This week in the metaverse,” where Fortune rounds up the most interesting news in the world of NFTs, culture, and the metaverse. Email[email protected]with tips.

Carlos Topo Maseda was at a friend’s wedding in Puerto Escondido, Mexico, last November when he began to panic.

A flurry of tweets claimed thatHic Et Nunc, the NFT marketplace where he had spent much of the past year creating and buying non-fungible tokens, had suddenly shut down. The project’s websitereturned an error, itsTwitteraccount had been discontinued, and Topo Maseda couldn’t access any of his NFTs.

“​​From one day to another, they disappeared,” he said.

Topo Maseda eventually recovered his NFTs from a clone website that copied Hic Et Nunc’sopen source code, but not everyone may be so fortunate, especially as other NFT marketplaces shut down or are acquired during the crypto bear market, according to Jason Bailey, CEO of ClubNFT, a platform that backs up NFTs.

Although many collectors believe their NFTs will be safe forever because they exist on a blockchain, this isn’t necessarily true, Bailey toldFortune. Although some elements of an NFT exist on a blockchain, only around 10% of them are fully on-chain because of how expensive it is to do so, Bailey claims. Instead, about 40% of all NFTs are hosted on private servers, which means they could be lost at any time.

“People are confused because they hear these stories about blockchain and how things exist forever and last forever,” Bailey continued. “What they don’t realize is the art and the metadata that they’re actually looking at when they go to the marketplace, the thing they fall in love with, isn’t almost ever on the blockchain.”

Carlos Topo MasedaCarlos Topo Maseda nearly lost all his NFTs last November when the marketplace Hic Et Nunc suddenly shut down.
COURTESY OF CARLOS TOPO MASEDA

An NFT usually has three to seven components, Bailey said, which could include the main image, any metadata that defines rarity traits, or the artist’s name. But these elements are often stored on private servers that could be shut down on a whim, similar to what happened with Hic Et Nunc. This could leave a collector with a shell of an NFT that points to a long-gone image, ultimately making it worthless.

To solve this problem, some NFT marketplaces have turned to IPFS, or InterPlanetary File System, which is universally compatible and uses a unique hash to guarantee that the elements of an NFT can be retrieved as long as they still exist somewhere online or are available to you.

Metaplex Studios CEO Stephen Hess toldFortunethat his company offers IPFS to its users because it’s one of the best systems for securing an immutable NFT.

“We see collectors looking for permanence,”Hesssaid. “They want to know that they’re buying this piece of art and it will be around for generations to come.”

But IPFS means nothing if a marketplace shuts down and stops paying for “pinning,” which is what almost happened with Hic Et Nunc. Pinning is essentially a recurring fee for hosting the NFT. It’s similar to paying to store your files on a cloud storage service like DropBox.

To avoid the pitfalls of a marketplace storing your NFT on private servers or stopping payments that would make IPFS useless, ClubNFT allows collectors to download a free local backup of their NFTs and their elements. Even if the marketplace where you bought your NFT shuts down and stops paying for pinning, you can use the local backup to restore it using IPFS, and then start paying for pinning yourself.

After Topo Maseda’s experience with Hic Et Nunc, the first thing he did was back up the NFTs he was able to recover, which he now keeps on two separate hard drives.

“For me,” he said, “that was the moment where I understood what it meant to own your data.”

Arts

https://fortune.com/crypto/2022/10/28/this-week-in-the-metaverse-save-your-nfts-microsoft-squanders-early-advantage-meta-hemorrhaging-money/

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A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.