Pick You Up #14/174

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Space Yacht's Iconography Collection Vol. 2 dives further down the rabbit hole into their rave inspired world of crypto-memes. Weed-smoking skeletons and crypto smileys are only some of the characters you'll meet along the way. Each NFT features original animations by Sahir Khan and music by Space Yacht co-founder and producer, LondonBridge. All of the songs in this collection were written specifically for each animation and do not appear on any other music platform. As with all Space Yacht NFTs, you are buying a piece of original visual art AND music.
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Initial Price : 500.00 USD
Lots to sell: 1
Lots sold: 1
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The Switch
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The New York Times x NFT
A digital original of Kevin Roose's New York Times column, "Buy This Column on the Blockchain!" Published 3/24/21.
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T(r)opical
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Looked is not a reason #1/3
Your head turns away: O the new love! Your head turns back, - O the new love!
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Traffic
Traffic explores a crossroads between the metaverse & reality through organized chaos. The complexity of this aural / visual landscape demanded over 200 hours of design time between Slimesunday & 3LAU. Every detail of this piece was built from scratch, from the reflective puddled pavement to the stabbing synthesis of the song. We think we'll be spending a lot more time in the metaverse in the future, don't you?
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Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.