29/07/2021 NFTs 2.0: What's Next?

The downsides and areas of possibilities for the future of the virtual assets

Has the hype died off? Is the fad over? With Google Trends reporting an 80% drop in search interest for Non-Fungible Tokens (NFTs) since its peak in late March, do NFTs have a future in the digital marketing ecosystem?

Early adopters have started to settle down and the flashiness of the latest shiny object looks like it’s starting to fade. However, the topic of NFTs still looms in headlines, suggesting curiosity hasn’t entirely dissipated.

Marketers would be smart to keep an eye on the NFT industry as it matures and becomes mainstream. The potential is not in what has already happened; it’s in the ideas of what copyright, production and ownership mean in a digital world.

The cost of getting involved

Though brands as diverse as Gucci, Taco Bell and the NBA have benefited from the NFT PR wave, there are a few issues that will need to be resolved before more marketers innovate with the concept:

The price of selling NFTs

The cost of selling NFTs is a double-edged sword. The high price reduces mediocre products on auction blocks but also prohibits brands from entering the market. Other costs associated with selling NFTs, include:

  • Minting Fees: To generate a certificate of authenticity
  • Listing Fees: The auction listing fee
  • Commission Fees: Depending on the platform and auction type used
  • Transaction Fees: The amount you pay for getting the money out of escrow and transferring it into your digital wallet

Uncertain ROI

For example, working with the blockchain company, Dapper Labs, the NBA has set up its own marketplace called NBA Top Shot, where fans can buy and sell their favorite NBA highlight clips or “moments.” Sales peaked in February ($231.6 million) and March ($230.4 million) but have since dropped off sharply (an approximate 60% decline) despite being one of the industries (i.e., sports collectibles) most likely to develop a sustainable NFT revenue stream. With such high associated costs and low guarantees of return, marketers are hesitant to experiment in this space. 

Legal challenges

Not only is the NBA Top Shot a pioneer in NFT minting and selling, but it is also the lucky recipients of the first NFT lawsuit. In short, the plaintiff accuses Dapper Labs of selling securities when also selling NFTs on its platform, causing a conflict of interest. With any new ventures involving emerging tech and money, there is sure to be conflict and risks most marketers can’t afford to take.

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Environmental impact

Despite being a virtual asset, the process of minting, recording and selling/buying NFTs has real-world implications. Blockchain transactions consume an immense amount of electricity, which produces a fair amount of greenhouse gas emissions. In addition to the monetary costs, those seeking to play in the world of NFTs must also bear the burden of the carbon footprints they’re creating as well, which may conflict with a brand’s sustainability values.

What to expect with NFTs 2.0

The downsides must be addressed if NFTs are set to evolve and be part of digital and content marketing. Here are some things we expect to see in the near future:

Arts

https://www.adweek.com/media/nfts-2-0-whats-next/

Interesting NFTs
CryptoPunk #9052
The CryptoPunks are 10,000 uniquely generated characters. No two are exactly alike, and each one of them can be officially owned by a single person on the Ethereum blockchain. Originally, they could be claimed for free by anybody with an Ethereum wallet, but all 10,000 were quickly claimed. Now they must be purchased from someone via the marketplace that's also embedded in the blockchain.
Rururi
Heyo! Rururi here. I'm here to enjoy riding unicorns and licking doorknobs. Sometimes I daydream of a life full of sitting on your computer, apple pie, and sleeping in fresh laundry. We can be friends, but keep the ultra purrsonal stuff to yourself, please.
#85699
By OthersideDeployer
Wink
The eye of providence blinks. Originally posted to tumblr June 26, 2012.
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.