29/07/2021 Campbell's Commissions Its First NFT Collection

Campbell's is breaking into the world of Non-Fungible Tokens, or NFTs, through a collaboration with artist Sophia Chang. The collaboration and entry into NFTs is being done in concert with a new label design Campbell's is rolling out for its well-known soup brand. 

According to the company, 100 Campbell's authenticated NFT art pieces titled 'AmeriCANa -- SOPHIA CHANG X CAMPBELL'S' were created by Sophia Chang, a street-style artist and illustrator.

The art pieces became available for purchase via NTWRK on July 27. Additionally, one exclusive and animated NFT art piece has been made available for auction on OpenSea July 27 through Aug. 6. Proceeds for the Campbell's NFTs will benefit Feeding America.

"The commissioning of our first-ever NFT art piece pays tribute to our place in art and pop culture, while celebrating in the most modern art medium to date," says Linda Lee, Chief Marketing Officer, Meals & Beverages, Campbell Soup Company. "Sophia was a natural choice given her street art sensibility and her love of the Campbell's brand and its connection to the art world."

Arts

https://www.foodprocessing.com/industrynews/2021/campbells-nft/

Interesting NFTs
Mr. Angles
Heyo! My name's Mr. Angles. I once peed on Cleopatra's cat. They had it coming. I was voted most likely to work at NASA in college. In time you'll learn how purrfect I am.
Discord Assembly
Discord logo factory. 3D animation, 10-second loop, 30 fps. Created using Cinema4D, X-Particles, Octane, and After Effects. Originally posted on TikTok (@jigpx) on 2/20/21. 47.5m+ views, 3.2m+ likes (as of 4/22/21).
Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji
Katsushika Hokusai (1760-1849) Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji 1831 - Japan
CryptoPunk 9998
One of 3840 Female punks.
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.