20/10/2021 How NFTs are creating a generational divide between platforms

Steam banned blockchain games; Epic Games welcomed them

Illustration by Alex Castro / The Verge

Today, let’s talk about a fault line that’s beginning to open up in the gaming world, one I suspect will soon be coming to most platforms and app stores. It’s a divide that begins with a simple question: will your platform allow NFTs? Crypto payments? You know 
blockchain stuff?

Like it or not, the rise of non-fungible tokens as an engine for fun and profit has been one of the tech world’s big stories in 2021. Usingthe blockchainto create unique digital objects with verifiable, transferrable ownership has opened up new possibilities in art, digital trading cards, and gaming. At least for the moment, it seems likely that other forms of media will follow.

Recently I’ve written about ways in which NFTs are challenging the current generation’s assumptions about gaming: building a game from the bottom up rather than the top down,as the Loot project is doing; or enabling players to make money directly from their gameplay,as Axie Infinity is. Aleksander Larsen, chief operating officer of Axie’s parent company, told me that he hopes the game will come to mobile app stores, including Apple’s, within the next few months.

But on Friday, it became clear that such games won’t be welcome everywhere. Here’sMitchell Clark here atThe Verge:

Games that use blockchain technology or let users exchange NFTs or cryptocurrencies won’t be allowed on Steam, according to a rule added toValve’s “What you shouldn’t publish on Steam” list. The changewas pointed out by SpacePirate, a developer working on an NFT-based game,who saidthat the change was because the company doesn’t allow game items that could have real-world value.

Steam, if you’re not familiar, is the largest distributor of PC gaming software in the world. Withmore than 120 million monthly users, it’s the default place for most PC gamers to buy digital downloads. And last week, as some blockchain-based games had begun to appear on the platform, Steam pulled out the rug from underneath them. Parent company Valve has yet to make a comment beyond its update to the Steam rules.

The developer ofAge of Rust, a forthcoming adventure game that will award NFTs to players who solve puzzles, was among those whose titles were removed from the platform. The developer, SpacePirate Games, lamented the move.

“Steam’s point of view is that items have value and they don’t allow items that can have real-world value on their platform,” the game’s official accounttweeted. “While I respect their choice, I fundamentally believe that NFTs and blockchain games are the future. It’s why I started this journey with all of you.”

But when one app store door closes, another opens. The Epic Games Store, a Steam rival that theFortnitemaker introduced in 2018, quickly said that it is “open” to considering NFT-based games. Here’sClark again:

When we asked about allowing games that featured NFTs, Epic told us there’d be some limitations, but that it’s willing to work with “early developers” in the “new field.”

Epic says that the games would have to comply with financial laws, make it clear how the blockchain is used, and have appropriate age ratings. It also says that developers won’t be able to use Epic’s payment service to accept crypto; they would have to use their own payment systems instead.

What’s an NFT?

NFTs allow you to buy and sell ownership of unique digital items and keep track of who owns them usingthe blockchain. NFT stands for “non-fungible token,” and it can technically contain anything digital, including drawings, animated GIFs, songs, or items in video games. An NFT can either be one-of-a-kind, like a real-life painting, or one copy of many, like trading cards, but the blockchain keeps track of who has ownership of the file.

NFTs have been making headlines lately, some selling for millions of dollars, with high-profile memes likeNyan Catand the“deal with it” sunglassesbeing put up for auction. There’s also a lot of discussion about the massive electricity use andenvironmental impactsof NFTs.If you (understandably) still have questions, you can read throughour NFT FAQ.

Among the reasons this came as a surprise is that just weeks earlier, Epic CEO Tim Sweeney had seemed to wash his hands of the blockchain altogether. “We aren’t touching NFTs,”he tweeted, “as the whole field is currently tangled up with an intractable mix of scams, interesting decentralized tech foundations, and scams.”

Sweeney is well within the mainstream of tech commentary when he worries that NFTs are scammy. When I wrote aboutAxielast week, a lot of you shared similar sentiments with me in theSidechannel Discord serverand in your email replies. Aren’t these NFT projects fundamentally pyramid schemes, you wondered; Why does any of this have to be on the blockchain at all? There are other ways to represent digital scarcity beyond the blockchain, you told me.

In any case, grinding for several hours a day to make money playing aPokĂ©monclone hardly sounds like most people’s idea of a good time. If it’s a full-time job, can you really even call it a game?

Despite those objections, though, the development continues. Each day brings with it a fresh round of funding announcements for blockchain-based projects, with hundreds of millions of dollars being allocated into crypto-focused startups and VC funds. Games, which have proven to be one of the first crypto projects to attract a user base that does something other than trade money back and forth, often figure significantly in those fundraising announcements. (Here’s $4.6 million fora company that rentsAxiemonsters to players in exchange for a slice of their income, for example.)

All of which is soon going to put platforms into the same position that Steam found itself in. Do we let these things into the store or not? The easy thing to do is to say “no” — but doing so creates an opportunity for anyone willing to say yes.

To be sure, the sale of in-game items has a checkered history. Blizzard’s popular dungeon crawlerDiablo IIIset up an official in-game auction house a decade ago to let players sell rare swords, armor, and other goods that they had earned in virtual battle. These items weren’t unique in the way NFTs are, but they were rare and had real-world value. Unfortunately, though, Blizzard found that its auction house broke the game entirely: all of a sudden, people could simply pay to win it.

Here’sBo Moore writing inWiredin 2013, when the auction house was shuttered:

Diablodoesn’t have more dungeons, more bosses, etc. Players just play the same procession of levels on harder and harder difficulty levels, picking up better and better loot. In other words, the loot isn’t just a helping hand towards their ultimate goal – better lootisthe ultimate goal. And with the auction house, players found that the best way to obtain it was to just buy it. [
]

And the next thing you know, they’re not playing the game anymore. Why would they, when the reward structure that would otherwise motivate them to play was no longer there? Without the promise of better stuff,Diablowas all stick and no carrot.

Games that develop this “pay to win” dynamic are among the most-loathed titles around — but they arevery much around. Games that offer free downloads, as many mobile games do, often allow players to pay to gain advantages over their freeloading rivals, even as it worsens the experience for most of the user base. More respectable games, likeFortnite, sell only cosmetic items. But the pay-to-win economy is real.

Of course, there’s no reason that in-game NFTs bought from third parties have to give players advantages in gameplay. A uniqueFortniteskin created by a popular artist might have value to both the person who sold it and the person who bought it, and the balance of gameplay wouldn’t change at all.

But even for platforms inclined to support blockchain integrations, there remain a number of hurdles to clear on the policy and user experience side. How and where does the buying and selling take place? Does the platform get a cut of the sale? And if NFTs do affect how the game is played, rather than simply how it looks, how does the developer ensure the game is balanced and accessible to a large number of players?

Platforms will be faced with a choice

The questions are coming to gaming first, but it’s easy to imagine them cropping up elsewhere in the new economy. And when they do, platforms will be faced with a choice: shut it all down, as Steam did, and bet that the whole crypto craze will some day fall into the ocean; or be curious about it, the way Epic is, and see if there’s a way to channel all this developer enthusiasm into something creative and profitable.

It’s worth noting that most big believers in the tech world’sotherbig prediction about the future this year —the metaverse— come down firmly on the side of NFT integration. Mark Zuckerberg described for Facebook employees this summer a world in which people would one day rent NFT art as decorations for parties in virtual reality. The idea of unique NFT skins that people can dress up their avatars in, and take from place to virtual place, is foundational to the metaverse as futurists most often describe it.

Maybe that will all fall into the ocean, too. But one way or another, I think digital scarcity is coming to platforms. And when it does, they’ll have a lot of re-thinking to do. For now, Valve loses nothing by leaving NFTs behind. But there may come a day soon when it’s companies like Valve getting left behind, and developers like SpacePirate laughing all the way to the bank.

Arts

https://www.theverge.com/2021/10/20/22735719/nft-generational-divide-steam-epic-gaming

Interesting NFTs
Brave Samurai
This is the second collaborative piece that I have created with the very talented Dutch artist, @eattheart23. Here, a samurai warrior stands guard, honour bound to protect his master even to the death.
Cosmic Chess
Cosmic Chess is a playable artwork that will evolve in time as the game progresses. This piece utilizes a special Layer Changer tool that lets owners move their pieces just like they would a regular chess game! To see the current state of the board you can view the tool here: https://asyncchess.herokuapp.com/1148
Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan
CryptoKitties
Hi-ya! I'm Kitty #446400. I've never told anyone this, but I once licked a dog. I once dreamed of being a Skydiving Instructor. Now I can be found talking about how much I lift all day. Can't wait to eat chocolate with you!
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).