04/02/2022 ‘I had $10 in my bank account’: This 36-year-old went from living paycheck to paycheck to making over $109,000 selling NFTs

Brittany Pierre made over $109,000 selling nonfungible tokens, or NFTs, of her photography in 2021.

In 2021,Brittany Pierremade over $109,000 selling nonfungible tokens, or NFTs, of her photography and flipping other NFTs she bought for a profit.

But before that, Pierre was struggling to pay rent on her Chicago apartment or afford groceries and bus fare, she tells CNBC Make It.

Her financial situation was very “touch and go,” Pierre, 36, says. She lived paycheck to paycheck and “got pretty depressed.”

In March, Pierre learned about nonfungible tokens, or NFTs. Her friend andfellow artist Elise Swopeshad just sold an NFT of her work forover $17,600, inspiring Pierre to try and do the same. In addition to asking Swopes for guidance, “I dove straight in, just doing a YouTube and a Google deep dive for a couple of days.”

One month later, Pierre started to sell her first NFTs and was soon selling pieces for a few hundred dollars each — more than her physical art earned her, she says.

“It was real hard to do $50 photoshoots, trying to peddle $30 prints. I’d have bookings here and there, but it wasn’t sustainable,” she says. “That first couple of $200, $300 [NFT] sales was a lot for me. That’s exactly what I needed to pay rent.”

“Las//Abuelas” by Brittany Pierre.

Courtesy of Brittany Pierre

As she made more money, Pierre was able to pay her bills and live more comfortably, but also donate to organizations and invest in other artists’ NFTs — some of which she’s flipped for a return.

“Last year has been the first year that I could live completely abundantly, more with my heart, than I ever have been able to,” she says. “I’ve never had a job over $15 an hour, and last year, I was able to make a little over $100,000.”

How it started

When starting to learn about NFTs, Pierre noticed a few barriers to entry: For most of the top platforms, creators needed to apply or be invited to list their artwork. Once that happens, creators must pay gas fees to mint their NFTs, which can be difficult to afford.

Minting an NFT is the process of representing the asset on the blockchain. It allows NFT owners to both prove that they own the asset and be able to sell it if they want. But to mint an NFT,creators must pay what’s called a gas fee, which can cost hundreds of dollars during times of high congestion.

With the help of a few friends who connected her, Pierre wasinvited to NFT marketplace Foundationin March byphotographer Zak Krevitt. Another artist raised funds to pay Pierre’s gas fees for her first couple of pieces so she could mint her work, she says.

At the time, “I probably had like 10 bucks in my bank account,” she says. “I think fees [were] about $250.”

This process of onboarding and helping fellow artists is common in the NFT and widerWeb3community. “That is one thing about this space: If you have a question, somebody is going to answer it,” Pierre says.

“Crowned” by Brittany Pierre. This photograph of Alii Michele is part of Pierre’s “BLACK//Beauty” series.

Courtesy of Brittany Pierre

Through her street style and portraiture photography, “it’s mostly Black women and men that I try to uplift,” Pierre says. “When you look up ‘beautiful person’ on Google, you normally see a white person. So I wanted to put Black people on the blockchain so we can solidify that. I want to highlight the Black experience.”

Pierre’s first sales occurred aftera notable NFT collector known as Weeshsaw her art on Twitter. “After that, I went all in,” she says.

Pierre had found another day job, but she decided to quit and pursue NFTs full-time, she says.

How it’s going

The income was life-changing for Pierre.

“At first, it started with me paying rent on time and in full without having to make payments. Then, I was able to get groceries — I was living on ramen, ground beef, tuna cans and water for a very long time. I was able to fill my fridge, which I’ve never been able to do on my own,” she says.

Beyond necessities, Pierre has been able to treat herself. She has bought more film photography equipment, she says, and splurges every once in a while on Nikes. Additionally, Pierre has been saving to buy a Tesla and a place of her own.

“All Aboard” by Brittany Pierre. This photograph is part of Pierre’s “Chicago: Black+White” series.

Courtesy of Brittany Pierre

Overall, her “quality of life” has improved, she says. And she’s able to help others. If her mom, sister, niece or nephew need anything, Pierre can buy it for them. She also donates to organizations she’s passionate about, she says.

Pierre also prioritizes giving back to the NFT community by onboarding other women, inviting them to Foundation and paying their gas fees, she says.

‘NFTs can help marginalized people’

Pierre sees cryptocurrency and NFTs as a way to build generational wealth, since they allow her to invest and earn money without dealing with traditional financial systems.

“I definitely think that not only NFTs, but crypto in general, can help marginalized people, especially the Black community,” she says.

Pierre has been successful in the space, but what she has accomplished isn’t necessarily easy or typical. When it comes to investing in cryptocurrency, financial experts recommend being careful, understanding the risks andtaking time to researchbefore buying in.

Nonetheless, she says, “I do truly believe that crypto and NFTs can be the path of real financial freedom and freedom from racist systems in government and banks.”

Arts

https://www.cnbc.com/2022/02/02/this-36-year-old-made-over-109000-in-about-9-months-selling-nfts.html

Interesting NFTs
Stripe
Aloha! I'm Stripe. I want to live in a world where people believe that one day cats will rule this planet. I'm convinced that that one day cats will rule this planet. One day I'll prove it. Let's get busy!
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Last Selfie #7/10
Was it worth it?
#57512
By OthersideDeployer
Sophia Instantiation
Sophia Instantiation by Sophia the AI robot x Andreas Bonaceto